EWTN launches studio at Walsingham shrine in England

Rome Newsroom, Jan 12, 2021 / 12:00 pm (CNA).- For Catholic judge Rosario Livatino, to “render justice” was an act of prayerful self-dedication to God.

“To render justice is a fulfillment of oneself, it is a prayer, it is a dedication of oneself to God,” Livatino said in a lecture on faith and law on the southern Italian island of Sicily in 1986.

Livatino, whose first name means “rosary” in Italian, worked as a prosecutor in Agrigento dealing with the criminal activity of the mafia in the 1980s. He was murdered on his commute to work on Sept. 21, 1990, when he was 37 years old and serving as a magistrate. He was recently declared a martyr by Pope Francis and is expected to be beatified in Sicily this year. 

In an interview published Jan. 12, Fr. Giuseppe Livatino, postulator of the cause for Livatino’s beatification, said that the young Catholic judge provided a “credible witness” of coherence in his life of faith and his daily work.

“More than just ‘holy cards,’ Christians today urgently need credible witnesses. And that [is what] Rosario is,” his postulator said in an interview with ACI Stampa, CNA’s Italian-language news partner.

“Rosario knew well, thanks to his formative experience in Catholic Action, that the Christian is called to be ‘light of the world and salt of the earth,’ who must sanctify the world through one’s family and daily work,” Fr. Livatino said.

As postulator and cousin of the martyred judge, Fr. Livatino has spent years collecting testimonies, examining witnesses, and reading the judge’s personal writings to promote his cause for beatification and potentially canonization.

He said: “Among the testimonies collected, I was positively struck by the episode [recalled] by his former teacher, a priest, who asked him for a ‘small recommendation.’ Rosario felt deep respect and replied firmly: ‘When you offer confession, do you accept recommendations?’”

“Livatino drew directly from the experience of the saints, and in every dimension of his life he rejected any mediocrity … What he has to do, Rosario likes to do it right. He pursues that ‘perfection’ indicated by Jesus in the Gospel, to build the Kingdom of God.” 

“Rosario had drawn his profound wisdom from the Gospel and the Magisterium of the Church. He knows and lives the Gospel, knows and applies the reflections of the [Second Vatican] Council Fathers on the role of the lay faithful in today’s world,” he said.

While promoting Livatino’s cause, his cousin has received thousands of emails from all over Italy, other European countries, Latin America, and the Philippines.

“Many asked for the text of the prayer to ask for the glorification on earth of the Servant of God. Many others asked for information on his life,” he said. “But all showed great interest in this splendid figure of ‘credible witness.’ Many said that they had received spiritual graces through Rosario’s intercession.”

“This man, unknown to most when he was alive, has spoken and continues to speak effectively since Sept. 21, 1990.”

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Belfast, Northern Ireland, Jul 27, 2017 / 03:02 am (CNA/EWTN News).- An Irish priest has decried a film festival’s plans to screen two horror films in an abandoned church next month.

The Belfast Film Festival plans to show two horror movies – The Exorcist and The Omen – at Holy Rosary Church in Belfast, a landmark church that has been abandoned since 1980 and is no longer owned by the Catholic Church.  

Local parish priest Fr. Patrick McCafferty told the Belfast Telegraph that the plan was a “cheap stunt” and disrespectful to what once had been a sacred place.

“What is their motivation for showing those types of films in what was once a sacred building that will have such special memories of spiritual occasions for lots of people,” he said.

“Should they not be sensitive to the fact that many people in that area have fond associations and is sacred to the memories of many people that were baptized or married or buried there?” the priest added.

The old church is currently set to be renovated into an Italian restaurant, with with Fr. McCafferty said he has “no problem.”

“…but the screening of horror films in there is another matter entirely,” he told Ireland’s The Times.
 
The Exorcist (1973), based on William Peter Blatty’s novel by the same name, is the horror movie famous for levitating beds, spinning heads and pea-green soup.

The book and film portray the demonic possession of a 12-year-old girl and her exorcism by two Catholic priests. Blatty said he drew inspiration from a 1949 Washington Post story about a Jesuit priest’s successful exorcism of a 14-year-old boy in Mount Ranier, Maryland.

While the U.S. bishops have previously said that the film stands on “shaky ground” theologically, Catholic film critics have said that for the most part, it tries to portray a real exorcism as authentically as possible.

It won two Oscars in 1974 for best sound and best writing and is one of the 20 highest-grossing films of all time. After the film’s release, interest in exorcism skyrocketed in pop culture, sparking a subgenre of films surrounding the topics of exorcism and spiritual warfare.  
 
The other film to be shown, The Omen, is a 1976 British-American that tells the story of the son of an American diplomat who is marked with the sign of the Devil and is the Antichrist.
 
In 2006, attempts to film a remake of The Omen were disrupted on location in Croatia, with sets vandalized and burnt down. The producers blamed the Catholic Church for the disruptions, saying they had decried the film and sparked the outrage.
 
Catholic reviews of The Omen tend to urge caution, as the film can be seen as depicting evil in a victorious light.
 
Fr. Cafferty said he hasn’t seen either film, though he is familiar with their controversial content.
 
“They are not the sort of films that I would choose to watch myself. People have told me about the films and I would have seen bits about The Exorcist – I just don’t understand why anyone would like to see it in a church,” he said.
 
A spokesperson for the film festival has defended the decision, saying that the abandoned church would enhance the audience’s viewing experience, and cited that the church has been defunct for almost 40 years.

“Belfast Film Festival is well known for its site-specific special events,” said the spokesperson told the BBC, citing its 2015 screening of Jaws on Portrush beach as one example.

“The locations chosen add an extra dimension to the screening, and we think the stone cold surroundings of an abandoned church will make for a suitably chilling viewing experience for The Exorcist.”

“Many people will have their own personal reasons for disliking The Exorcist, and we respect their right to that opinion, but the truth is that it was one of the most widely acclaimed films of the 1970s, nominated for 10 Oscars, including Best Picture,” the spokesperson added.

The screenings of The Exorcist and The Omen, to be shown on Aug. 19 and 20 respectively, have already sold out, according to The Times.

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Pope Francis prays in front of the tomb of St. Mark the Evangelist inside St. Mark’s Basilica in Venice on April 28, 2024. / Credit: Daniel Ibañez/CNA

Rome Newsroom, Apr 28, 2024 / 09:35 am (CNA).

Pope Francis had a full slate of events Sunday during his day trip to Venice, a trip that tied together a message of unity and fraternity with the artistic patrimony of a city that has been a privileged place of encounter across the centuries. 

“Faith in Jesus, the bond with him, does not imprison our freedom. On the contrary, it opens us to receive the sap of God’s love, which multiplies our joy, takes care of us like a skilled vintner, and brings forth shoots even when the soil of our life becomes arid,” the pope said to over 10,000 pilgrims gathered in St. Mark’s Square. 

Framing his homily during the Mass on the theme of unity, one of the central points articulated throughout several audiences spread across the morning, Pope Francis reminded Christians: “Remaining united to Christ, we can bring the fruits of the Gospel into the reality we inhabit.”  

“Fruits of justice and peace, fruits of solidarity and mutual care, carefully-made choices to preserve our environmental and human heritage,” the pope continued, seated center stage in a red velvet chair and vested in a white cope.

Pope Francis arrived in Venice early Sunday morning for a day trip to the prestigious Biennale art exhibition — which is celebrating its 60th anniversary — where the Holy See’s pavilion, titled “With My Eyes,” dovetails with this year’s broader theme: “Foreigners Everywhere.”

The pope’s visit also holds a deep meaning as Francis is the first pontiff to visit the Biennale — where the Vatican has held a pavilion since 2013. 

In his homily, Pope Francis pointed out that our relationship with Christ is not “static” but an invitation to “grow in relationship with him, to converse with him, to embrace his word, to follow him on the path of the kingdom of God.” 

Francis built upon this point to encourage “Christian communities, neighborhoods, and cities to become welcoming, inclusive, and hospitable places,” a point he linked to the image of the city of Venice as a “a place of encounter and cultural exchange.” 

Pope Francis observed that Venice “is called to be a sign of beauty available to all, starting with the last, a sign of fraternity and care for our common home,” the pope continued, highlighting the tenuous situation of Venice, a UNESCO World Heritage Site, which faces a myriad of problems ranging from excessive tourism to environmental challenges such as rising sea levels and erosion.

After the recitation of the Regina Caeli, the pope entered St. Mark’s Basilica to venerate the relics of the evangelist before leaving by helicopter to return to the Vatican as pilgrims and tourists bid farewell from land and sea.

Earlier in the morning the Holy Father met with female inmates, staff, and volunteers at Venice’s Women’s Prison on the Island of Giudecca, where he spoke on the topic of human dignity, suggesting that prison can “mark the beginning of something new, through the rediscovery of the unsuspected beauty in us and in others.“

The deeply symbolic visit was followed by a brief encounter with the artists responsible for the Holy See’s pavilion at the Biennale, where the pope encouraged artists to use their craft “to rid the world of the senseless and by now empty oppositions that seek to gain ground in racism, in xenophobia, in inequality, in ecological imbalance and aporophobia, that terrible neologism that means ‘fear of the poor.’”

The Holy Father traveled by a private vaporetto, or waterbus, bearing the two-tone flag of Vatican City, to the 16th-century baroque Basilica of Santa Maria della Salute, which sits on the Punta della Dogana, where he met with a large group of young people. 

Reflecting on the visit as a “beautiful moment of encounter,” the pope encouraged the youth to “rise from sadness to lift our gaze upward.” 

“Rise to stand in front of life, not to sit on the couch. Arise to say, ‘Here I am!’ to the Lord, who believes in us.” Building on this message of hope, which the pope emphasized is built upon perseverance, telling them “don’t isolate yourself” but “seek others, experience God together, find a group to walk with so you don’t grow tired.” 

The pope made his way to St. Mark’s Square in a white open-top golf cart bearing the papal seal, where he closed his visit with Mass. At the end of the Mass Archbishop Francesco Moraglia, the patriarch of Venice, thanked the pope for his visit. 

“Venice is a stupendous, fragile, unique city and has always been a bridge between East and West, a crossroads of peoples, cultures, and different faiths,” Moraglia noted. 

“For this reason, in Venice, the great themes of your encyclicals — Fratelli Tutti and Laudato Si’ — are promptly reflected in respect and care for creation and the person, starting with the good summit of life that must always be respected and loved, especially when it is fragile and asks to be welcomed.”

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