Rome, Italy, Mar 5, 2019 / 10:12 am (CNA).- Embassies to the Holy See are teaming up with religious sisters to address the problem of modern slavery, which affects an estimated 40 million people around the world today.
“Religious women are important to us in our foreign policy objectives,” British Ambassador to the Holy See Sally Axworthy said March 5.
“There are things that governments are good at and things that governments are not good at. It is a challenge to work with [human trafficking] victims worldwide … this is where religious orders excel,” she said at a conference organized by the World Union of Catholic Women’s Organizations in Rome.
A veteran diplomat, Axworthy explained that while not a Catholic herself, she has witnessed how religious sisters have the “moral authority” that governments lack in some parts of the world in the fight to change a culture on this topic. Religious sisters can gain the trust of victims and commit to their long-term rehabilitation and healing, she said.
The British ambassador said that she admired the way that so many religious orders “constantly ask themselves if they are providing help where it is most needed.”
U.S. Ambassador to the Holy See Callista Gingrich has similarly expressed her admiration and support for women religious “in their efforts to advance peace and stability” on other occasions, remarking that “too often, their work goes unnoticed and is underappreciated.”
Diplomats, religious sisters, and other laywomen came together for the conference in Rome in anticipation of the United Nations’ International Women’s Day, which will be celebrated March 8.
“Women are promoters of hope in a world that seems less and less humane,” Ambassador of Peru to the Holy See María Elvira Velásquez Rivas-Plata said.
Catholic women can “heal, in some way, the gaping wounds in the crucified” Christ in our world today, the president of the World Union of Catholic Women’s Organizations Maria Lia Zervino said.
Throughout the conference, speakers remarked on what female Catholic leaders can bring in addressing global issues such as human trafficking, education, migration, and the promotion of a full understanding of human rights on the international stage that includes the protection of the most vulnerable – the poor, the elderly, and the unborn.
“This is what our society and our Church need from us: women capable of spreading mercy from our inner selves, that seek to give life and never cancel or diminish it, that reach out to those who suffer the most and accompany the most in need with a maternal love,” Zervino, a consecrated woman from Peru, said.
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A close-up of the copy of Michelangelo’s Vatican Pietà, usually kept at the Vatican Museums. / Ela Bialkowska/OKNO studio.
Rome Newsroom, Mar 7, 2022 / 04:00 am (CNA).
As war rages in Ukraine and the pandemic lingers, Michelangelo’s celebrated Vatican Pietà — and two lesser-known figures he also sculpted — can be deeply meaningful to a pain-wracked world, says a priest and art historian.
Michelangelo Buonarotti’s Pietà depicts a larger-than-life Virgin Mary as she mourns her crucified Son, Jesus, lying limp in her lap. The masterpiece, carved out of Carrara marble, was finished before the Italian artist’s 25th birthday.
Over the course of more than 60 years, Michelangelo created two more sculptures on the same theme — and a new exhibit in the Italian city of Florence brings the three works together for the first time.
The Three Pietà of Michelangelo exhibit at Museo dell’Opera del Duomo in Florence, Italy. Museo dell’Opera del Duomo
The exhibit opened at the Museo dell’Opera del Duomo on Feb. 24, and includes the Florentine Pietà, also called the Deposition, which Michelangelo worked on from 1547 to 1555, and exact casts, or copies, of the Vatican Pietà and Milan Pietà — which could not be moved from their locations.
Msgr. Timothy Verdon, the director of the Museo dell’Opera del Duomo, told CNA by phone that the gallery wanted to do something to show its solidarity with a Feb. 23-27 meeting of mayors and Catholic bishops.
“The images of suffering that the Pietà always implies I think will deeply touch people. I think that visitors will be moved to see these works,” he said. The image of the Pietà evokes “the personal suffering of mothers who hold their children not knowing if their children will survive.”
A close-up of the copy of Michelangelo’s Vatican Pietà, usually kept at the Vatican Museums. Ela Bialkowska/OKNO studio.
The 75-year-old Verdon is an expert in art history and sacred art. He was born in Hoboken, New Jersey, but has lived in Italy for more than 50 years.
“So many of the issues that face the Mediterranean world today are forms of suffering,” he said, “and so this ideal series of images of the God who becomes man [and] accepts suffering, and whose Mother receives his tortured body into her arms, these are deeply meaningful.”
“All human situations of suffering and exclusion invite a comparison with the suffering of Christ, the death of Christ. And [the Pietà] condenses and concentrates a devout reflection on that,” the priest said.
The lesser-known Pietàs
Many years after Michelangelo completed the Pietà displayed in St. Peter’s Basilica, he began his Florentine Pietà, which depicts Nicodemus, Mary Magdalene, and the Virgin Mary receiving the body of Christ as it is removed from the Cross.
The 72-year-old Michelangelo worked on the sculpture for eight years before eventually abandoning it in 1555.
Michelangelo’s Florentine Pietà, part of the permanent collection at the Museo dell’Opera del Duomo in Florence, Italy. Museo dell’Opera del Duomo in Florence, Italy.
He probably began the Rondanini Pietà, which is in Milan, in 1553. Michelangelo continued to work on the piece until just days before his death in 1564.
According to a press release from the city of Florence, “near his own death, Michelangelo meditated deeply on the Passion of Christ.”
One way this is known is because shortly before his death, Michelangelo gave a drawing of the Pietà to Vittoria Colonna, the Marquess of Pescara, on which he wrote: “They think not there how much of blood it costs.”
The line, from Canto 29 of Paradiso, one of the books of Dante’s “Divine Comedy”, is also the subtitle of the Florence exhibition.
A perfect cast of Michelangelo’s unfinished Rondanini Pietà, on display at the Museo dell’Opera del Duomo in Florence, Italy. Museo dell’Opera del Duomo
Bringing the three Pietàs together into one exhibit gives the viewer the chance to see “the full range of Michelangelo’s reflection on this subject across 60-some years,” Verdon explained.
Not only is the Renaissance artist’s stylistic evolution on display, but also his spiritual development.
“We know that [Michelangelo] was a religious man,” Verdon said. “His interpretation of religious subjects, even in his youth, is particularly sensitive and well informed.”
According to the priest, Michelangelo seems to have had a range of theological influences.
“His older brother was a Dominican friar and in Michelangelo’s old age we’re told that he could still remember the preaching of Savonarola,” Verdon said.
Girolamo Savonarola was a popular Dominican friar, preacher, and reformer active in Renaissance Florence. He spoke against the ruling Medici family and the excesses of the time, and in 1498 he was hanged and his body burned after a trial by Church and civil authorities.
According to the Catholic Encyclopedia, “In the beginning Savonarola was filled with zeal, piety, and self-sacrifice for the regeneration of religious life. He was led to offend against these virtues by his fanaticism, obstinacy, and disobedience. He was not a heretic in matters of faith.”
“That’s an interesting page in cultural history,” Verdon said, “because the early Pietà is done in effect shortly after the Savonarola period, or in the Savonarola period.”
“So we’re talking about an artist to whom this subject means a great deal, and which he is also equipped to treat.”
The Three Pietà of Michelangelo exhibit at Museo dell’Opera del Duomo in Florence, Italy. Museo dell’Opera del Duomo
The artist’s last Pietàs were created, instead, in the context of the Counter-Reformation.
The council, he explained, “had to rebut the heretical ideas of Protestant reformers, and so it insists, in a decree on the Eucharist published in 1551, that indeed in the bread and wine, Christ’s Body and Blood are truly present.”
“So Michelangelo, who was personally religious, and who, especially in his later period, worked exclusively for the Vatican, was therefore very close to the changes occurring in Catholic thought, Catholic theology, Catholic devotion,” Verdon said.
The exhibit “really gives us the opportunity to gauge the evolution of a theme from one time to a very different one, from the end of the 15th, to the mid- 16th century.”
The St. Peter’s Basilica Pietà
Verdon said that the Vatican Pietà is the only one of the three to remain in the place it was intended for — above an altar in St. Peter’s Basilica.
The sculpture was originally created for the 4th-century Constantinian basilica, the “Old St. Peter’s Basilica,” which was replaced by the Renaissance basilica standing today.
In Michelangelo’s Pietà, the Virgin Mary holds her Son as she did at his birth. . Paweesit via Flickr.
Viewing art in a church is not the same as viewing it in a museum, the art historian noted.
“Obviously it is different, especially for the fact that the Vatican Pietà has remained on an altar, above an altar, and so the body of Christ depicted by Michelangelo would have been seen in relation to the sacramental body of Christ in the Eucharist.”
“This was true of the first situation in the Old St. Peter’s, the work was on an altar, and it’s true of the present collocazione [position],” he said.
“And actually,” the priest continued, “the same thing was true of both of the other Pietàs. They were intended by Michelangelo to go on an altar in a chapel in a Roman church where he expected to be buried. We think the church was Santa Maria Maggiore.”
“So the relationship of the image of Christ’s body with the Eucharistic Corpus Christi is very important,” he said.
The Three Pietà of Michelangelo exhibit at Museo dell’Opera del Duomo in Florence, Italy. Museo dell’Opera del Duomo
The copies of the Vatican and Milan Pietàs are on loan from the Vatican Museums, and will be in Florence for the Three Pietàs exhibit through Aug. 1.
“And in our museum, in the Florence Opera del Duomo Museum, we have put the Pietà, our Pietà, on a base that evokes an altar, as the very specific Church meaning [of an altar] has to do with the Sacrament,” Verdon said.
Participants in Italy’s pro-life demonstration in Rome on May 21, 2022. / Credit: Daniel Ibáñez/CNA
Rome, Italy, Apr 22, 2024 / 14:15 pm (CNA).
An amendment to a health care law that permits “nonprofits with experience providing maternity support” in family planning clinics, including pro-life groups, will be voted on by the Italian Senate on Tuesday, April 23, according to the Italian newspaper Corriere della Sera.
Amendment No. 44.028, a provision attached to a health care system law, part of Italy’s National Recovery and Resilience Plan (PNRR), would allow local public health authorities to freely collaborate with qualified third-party consultants, including nonprofit organizations that specialize in pregnancy and maternity support, “without new or greater burdens on public finance,” according to the news site Centro Studi Livatino.
Last week, the Brothers of Italy party, led by Prime Minister Giorgia Meloni, introduced the amendment to the Chamber of Deputies, Italy’s lower house of Parliament. On April 18, the amendment passed by a vote of 140-91 and is also expected to pass the Senate, Italy’s upper house of Parliament, this week.
In relation to the inclusion of pro-life groups in pregnancy counseling centers, Cardinal Pietro Parolin, Vatican secretary of state, said to journalists on Sunday: “We are in favor of life and of all those instruments that can affirm the right to life, especially for women in difficulty.”
Since 1978, abortion has been legal in Italy for the first 90 days of pregnancy. Women opting for an abortion — particularly for cases in which the pregnancy is beyond the first trimester — can obtain a certificate attesting to the health risk of her pregnancy from either a public or private health authority, including family planning clinics.
In addition, Article 31 of Italy’s constitution outlines the duty of the state to assist with “the formation of the family” through “economic measures and other benefits, and “protect mothers, children, and the young by adopting necessary provisions.”
The prospect of having pro-life groups and associations provide counsel or services in family planning clinics continues to spur heated debate among the media as well as activist groups in Italy and across Europe.
According to Eugenia Roccella, Italy’s minister for the family, this amendment does not subvert, and is consistent with, Italy’s abortion law (Law 194/1978).
Article 2 of the Italian abortion law already establishes that family counseling centers should “assist pregnant women” and help them “to overcome the factors which might lead the woman to have her pregnancy terminated.”
However, Gilda Sportiello, a member of Parliament representing the Five Stars Movement, argued that a woman should ultimately have the right to choose whether to be a mother or not.
“No woman who wants to interrupt her pregnancy should feel attacked by the state,” she said after speaking out in Parliament about her choice to have an abortion 14 years ago.
Italian journalist Antonella Mariani offered a different view, saying this health care amendment would afford women more options, information, protection, and support when making their own decision about pregnancy.
“Those who truly care about women’s self-determination should consider that it is not one-way: That is, it does not only concern the freedom to have an abortion but also the freedom not to have an abortion,” she said, as reported on the Italian news site Avvenire.
The Rosario Livatino Study Centre — a group of jurists inspired by the life and example of Blessed Rosario Livatino who research issues concerning family, the right to life, religious freedom, and legal matters — published an editorial written by one of its members in relation to the health care proposal.
A member of the center and a lawyer, Francesco Farri, according to Centro Studi Livatino, wrote that the amendment to be voted on in the Senate this week does not “innovate” but “confirms” current Italian law: “The 194, it should be remembered, does not only concern the voluntary interruption of pregnancy but also ‘norms for the social protection of maternity.’”
The popular chocolate Ferrero Rocher actually honors Our Lady of Lourdes. / Canva Stock Images
CNA Staff, Apr 16, 2024 / 07:00 am (CNA).
Many know Ferrero Rocher for its popular hazelnut chocolates, but the company’s tie to Our Lady of Lourdes … […]
1 Comment
God speed to the conglomerate of women religious… save one. U.S. Ambassador to the Holy See Callista Gingrich. Her appointment to the Vatican should disturb anybody. She cavorted for years with Newt Gingrich while his wife was in the hospital with cancer. How did the Vatican address this tryst when Callista’s name was proposed by Trump? They said nothing! Remember our children are watching.
God speed to the conglomerate of women religious… save one. U.S. Ambassador to the Holy See Callista Gingrich. Her appointment to the Vatican should disturb anybody. She cavorted for years with Newt Gingrich while his wife was in the hospital with cancer. How did the Vatican address this tryst when Callista’s name was proposed by Trump? They said nothing! Remember our children are watching.