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Denver Newsroom, Sep 28, 2020 / 04:31 pm (CNA).- Two Eastern Catholic churches in San Diego County suffered graffiti vandalism attacks over the weekend, and while authorities are treating the incidents as connected, they have not yet determined the perpetrators’ motives.

St. Peter Chaldean Catholic Cathedral in El Cajon, California on Sept. 25 was defaced with graffiti depicting “pentagrams, upside down crosses, white power, swastikas,” as well as slogans such as “Biden 2020,” and “BLM” (Black Lives Matter).

The cathedral is the seat of the Chaldean Eparchy of St. Peter the Apostle of San Diego.

The same evening, Our Mother of Perpetual Help Catholic Church, also in El Cajon, was similarly attacked, with the pastor discovering spray-painted swastikas on an exterior wall of the church the next day.

Our Mother of Perpetual Help is a Syriac Catholic church, part of the Syriac Eparchy of Our Lady of Deliverance of Newark.

The sheriff’s department has not officially announced any suspects, but is investigating the incidents as hate crimes.

Monsignor Emad Hanna Al-Shaikh, pastor of Our Mother of Perpetual Help, told CNA he alerted all the relevant authorities when he discovered the vandalism, and later painted over the graffiti.

Msgr. Al-Shaikh said he strongly suspects the same perpetrators who hit St. Peter cathedral also defaced his church, though he does not yet have proof. The churches are located three miles apart.

He said he does not know of any reason why someone would vandalize his church, and does not know who might have carried out the attack.

“We’re friends with everybody, we love everybody, and we’re at peace with everybody,” he said.

Sargent Mike Hettinger, a detective investigating the incidents, told CNA that the Sheriff’s Department does currently have some “good leads” in the case, including surveillance video, tips from the community, and physical evidence collected that they do not yet want to make public.

The department does believe the two crimes are related, he said. There appear to have been five perpetrators, and based on the video evidence they appeared to be juveniles, he said.

The motive for the crimes remains unclear, especially since the messages of the graffiti— which included, for example, both swastikas and “BLM”— appear to be at odds with each other.

There were protests taking place in downtown San Diego that evening, so the graffiti could be related to that, he said, but investigators are not yet certain on that point.

The vandalism comes amid a spate of similar incidents at Catholic churches that has lasted for months. Earlier last week a man burned pews in an arson attack in a Florida Catholic church, and a man with a baseball bat damaged a crucifix and several doors at a Texas seminary.

Last week a statue of the Sacred Heart of Jesus was destroyed in a Texas cathedral.

Also last week, a parish in Midvale, Utah, saw back-to-back attacks. St. Therese of the Child Jesus Catholic Church had its namesake statue beheaded followed by burglary on subsequent nights.

A historic church built by St. Junipero Serra was burned in California this summer, in a fire being investigated as arson. A Florida man was arrested for setting flame to a parish church in the Orlando diocese.

Fires have been started and statues of Christ, Mary, and saints have been beheaded or destroyed at parishes across the country, while in California numerous public statues of St. Junipero Serra have been torn down, defaced, and destroyed.

While some attacks on statues have been committed by large groups with clear political affiliations, the perpetrators of other acts have not been identified.

A poll conducted at the end of August by RealClear Opinion Research in partnership with EWTN News found that 83 percent of Catholic likely voters are concerned about attacks on churches in recent months.

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San Francisco, Calif., Jul 27, 2018 / 03:01 am (CNA/EWTN News).- An initiative in the Archdiocese of San Francisco to form the Catholic imagination through beauty will next month host a workshop on how to teach “chant camps,” in which children and teens are educated in Gregorian chant.

The Benedict XVI Institute for Sacred Music and Divine Worship, founded by Archbishop Salvatore Cordileone in 2014, is holding a Teaching Children’s Chant Camp Workshop in Menlo Park, about 30 miles south of San Francisco, Aug. 9-12.

The institute means to promote the vision of the Second Vatican Council, whose constitution on the liturgy, Sacrosanctum Concilium, said that Gregorian chant is “specially suited to the Roman liturgy” and that “therefore, other things being equal, it should be given pride of place in liturgical services.”

Maggie Gallagher, executive director of the Benedict XVI Institute, told CNA that children are particularly receptive to Gregorian chant.

“Kids, teens, and tweens take to chant like a duck to water. For two reasons: First, music is a language and like all languages it is best learned young,” she said.

“Secondly, kids are fascinated by doing ‘grown-up’ music. People keep offering 8 and 9 year olds ‘children’s’ hymns at the exact moment tween are looking to put aside the babyish and assume older identities.”

Gallagher’s words echoed those of Pius XI, who wrote in his 1928 bull Divini cultus that in “their earliest years” young people “are able more easily to learn to sing, and to modify, if not entirely to overcome, any defects in their voices.”

This is the first summer the Benedict XVI Institute has held chant camps for children. The camps’ director, Mary Ann Carr-Wilson, however, “has taught children’s chant camps for the past ten years, helping to pioneer the form,” Gallagher said.

Carr-Wilson directs choirs at St. Anne Catholic Church in San Diego, has been a soloist with the San Diego Chamber Orchestra and other groups, and holds an M.M. from San Diego State University.

“Learning from Mary Ann is learning from the best. We’re very grateful she’s decided to join the Benedict XVI team,” Gallagher stated.

Rather than teaching solely performance, the camps impart a sense of the meaning of the Mass, and what is participation in the liturgy.

She has said that during the week-long chant camps, children learn how to chant the Mass, in a way that engages them immediately. Older and more experienced singers mentor the younger and weaker ones, and children who thought they couldn’t sing find that they are able.

Most importantly, Gallagher has said, is that the children participants deepen their understanding of the Mass.

Gallagher reported to CNA the words of Fr. Corwin, the chaplain at a recent chant camp, that “These kids get more catechesis at chant camp than they do all year. They learn what the Mass is. They learn than chant is not performance, it’s prayer.”

Fr. Corwin added, “They are intrigued to find out they are singing the same prayers their favorite saints prayed through the ages. They are tasked with mastering the Tradition and then charged with handing it down. They love the responsibility. They love the Mystery. And they love the beauty they offer to glorify God and sanctify the Faithful.”

The Benedict XVI Institute’s promotion of Gregorian chant is in line with the Second Vatican Council, and with popes from St. Pius X to Pope Francis.

In his 1903 motu proprio Tra le sollecitudini promoting active participation in the liturgy, St. Pius X focused on the importance of chant, writing that “Gregorian Chant has always been regarded as the supreme model for sacred music.”

He directed that “special efforts are to be made to restore the use of the Gregorian Chant by the people, so that the faithful may again take a more active part in the ecclesiastical offices.”

Pius XI said, “so that the faithful may more actively participate in divine worship, let Gregorian chant be restored to popular use.”

Ven. Pius XII wrote in his 1947 encyclical Mediator Dei that Gregorian chant “makes the celebration of the sacred mysteries not only more dignified and solemn but helps very much to increase the faith and devotion of the congregation.”

In his 2007 apostolic exhortation Sacramentum caritatis, Benedict XVI wrote that “while respecting various styles and different and highly praiseworthy traditions, I desire, in accordance with the request advanced by the Synod Fathers, that Gregorian chant be suitably esteemed and employed as the chant proper to the Roman liturgy,” adding that “nor should we forget that the faithful can be taught to recite the more common prayers in Latin, and also to sing parts of the liturgy to Gregorian chant.”

The 1967 instruction on music in the liturgy, Musicam sacram, which was an implementation of Vatican II, stated that “the study and practice of Gregorian chant is to be promoted, because, with its special characteristics, it is a basis of great importance for the development of sacred music.”

And in an address marking the 50th anniversary of Musicam sacram, Pope Francis praised the instruction and its focus on active, conscious, and full participation in the liturgy.

In his March 4, 2017 address to participants in a sacred music conference, Francis lamented that “At times a certain mediocrity, superficiality and banality have prevailed, to the detriment of the beauty and intensity of liturgical celebrations.”

He urged that musicians and others “make a precious contribution to the renewal, especially in qualitative terms, of sacred music and of liturgical chant.”

Among the participants in the Benedict XVI Institute’s Aug. 9-12 workshop are the Missionaries of Charity, who Gallagher has said “told us they wanted our help to learn both to improve their own prayer life and so they can teach children how to participate in the Mass in this special way.”

Gallagher told CNA that “if you’d like to bring a chant camp or a chant camp workshop to your parish or school or youth choir, contact us Rose Marie Wong at wongr@sfarch.org.”

She added that one or two slots with scholarships for the Aug. 9-12 How to Teach Children Chant workshop are available.

[…]

The exterior of the Basilica of St. Lawrence in Asheville, North Carolina. / Credit: Zak Rutherford

CNA Staff, Aug 29, 2024 / 12:34 pm (CNA).
A historic minor basilica in Asheville, North Carolina, has received a $750,000 preservation grant fro… […]