Vatican City, Mar 7, 2020 / 12:30 pm (CNA).- Pope Francis will lead the Sunday Angelus prayer via video link, the Vatican has announced. The pope will also hold this week’s Wednesday general audience in the same way. The decision was taken in response to ongoing concerns about the spread of coronavirus in Italy and Vatican City.
Traditionally, the pope leads the Angelus from the balcony of the Apostolic Palace overlooking St. Peter’s Square and holds the general audience either in the square or in the Paul VI Hall in the Vatican. Both events will now be held in the library of the Apostolic Palace and live streamed.
The decision to hold the events by video broadcast only was announced in a communique issued by the Vatican press office on March 7.
“With regard to the events of the coming days, the Angelus prayer led by the Holy Father on Sunday 8 March will take place in the Library of the Apostolic Palace and not in the square, from the window,” the statement said.
“The prayer will be streamed live by Vatican News and on screens in Saint Peter’s Square, and distributed by Vatican Media to the media who will request it, so as to enable the participation of the faithful. The General Audience on Wednesday 11 March will be held in the same manner.”
The press office said that the decision was “necessary in order to avoid the risk of the spread of COVID-19 due to the gathering of people during security controls for access to the square, as requested by the Italian authorities.”
The Vatican also announced on Saturday that, at the direction of the Health and Hygiene Directorate of the Vatican City State, lay guests will not be able to attend the pope’s daily Mass in the Domus Santa Marta, which he will say in private until March 15 at least.
The announcement follows the first confirmed case of coronavirus in Vatican City on Thursday.
All outpatient services in Vatican City State’s Health and Hygiene Department were suspended on Friday to allow for the sanitation of Vatican facilities after one patient tested positive the previous day.
“The Health and Hygiene Department is taking steps to inform the competent Italian authorities and in the meantime the planned health protocols have been launched,” Holy See Press Office Director Matteo Bruni told journalists March 6.
With 148 coronavirus-related deaths in less than two weeks — 96 of which occurred in three days — Italy has had the most Covid-19 mortalities outside of China.
Most of the 3,858 people who have contracted Covid-19 in Italy have been in the northern regions of the country. The Italian Ministry of Health reported 44 confirmed cases in Rome’s Lazio region on the evening of March 5.
The Italian government has closed all schools and universities March 5-15 in response to the outbreak.
After the pope canceled several appearances last week, the Vatican issued a statement March 3 that the pope had “a common cold,” and that he did not have “symptoms caused by other diseases.” According to an Italian newspaper, Pope Francis was reportedly tested for the novel coronavirus, Covid-19, with negative results.
If you value the news and views Catholic World Report provides, please consider donating to support our efforts. Your contribution will help us continue to make CWR available to all readers worldwide for free, without a subscription. Thank you for your generosity!
Click here for more information on donating to CWR. Click here to sign up for our newsletter.
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary, Virgin Immaculate, in the Chapel of the Choir in St. Peter’s Basilica. / Daniel Ibañez/CNA
Vatican City, May 29, 2023 / 10:30 am (CNA).
To honor the Blessed Virgin Mary, the Vatican offers a special Marian pilgrimage within St. Peter’s Basilica each Saturday afternoon during the month of May.
The Marian itinerary brings pilgrims from Michelangelo’s marble sculpture of the Pieta to Our Lady of Perpetual Help, a 12th-century painting brought into the basilica in 1578 in a solemn procession.
For those unable to travel to the Eternal City, CNA is providing the following “virtual tour” with photos by Daniel Ibañez of eight beautiful images of Our Lady in St. Peter’s Basilica for the feast of Mary, Mother of the Church.
In St. Peter’s Basilica’s Chapel of the Choir, a large mosaic based on painting by Italian artist Pietro Bianchi depicts Mary, Virgin Immaculate, in the glory of heaven being venerated by St. John Chrysostom (left) and other saints. Daniel Ibañez/CNA
Virgin Immaculate
In the basilica’s Chapel of the Choir, a large altarpiece reveals Mary, Virgin Immaculate, in the glory of heaven above angels and saints. The mosaic based on an 18th-century painting by Italian artist Pietro Bianchi depicts St. John Chrysostom St. Francis of Assisi, and St. Anthony of Padua venerating the Blessed Virgin Mary.
The chapel is located on the left side of the basilica behind an iron gate designed by Gian Lorenzo Bernini. St. John Chrysostom is buried beneath the altar, which also contains relics of St. Francis and St. Anthony.
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary. Pope Pius X later added a larger diamond crown to mark the 50th anniversary of the declaration in 1904.
The original painting by Bianchi can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.
Mother of the Church
St. Peter’s Basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”. Daniel Ibañez/CNA
The basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”
The original image of the Virgin Mary and the Christ Child was painted on a column in old St. Peter’s Basilica, built by Emperor Constantine in the fourth century. It was later transferred to the 16th-century St. Peter’s Basilica. Paul VI honored the icon with the title “Mater Ecclesiae” after the Second Vatican Council.
A mosaic of the Virgin Mary overlooking St. Peter’s Square was inspired by the original Mater Ecclesiae image. The mosaic was installed after the assassination attempt against St. John Paul II in 1981.
When he blessed the mosaic, John Paul II prayed “that all those who will come to this St. Peter’s Square will lift up their gaze towards you [Mary], to direct, with feelings of filial trust, their greetings and their prayers.”
In 2018, Pope Francis added the memorial of “Mary, Mother of the Church” to the liturgical calendar for the Monday after Pentecost.
Mother of Pilgrims
A restored 16th-century painting of Our Lady holding her Son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV under the title “Mother of Pilgrims.”. Daniel Ibañez/CNA
A restored 16th-century painting of Our Lady holding her son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV.
The image is titled “Mater Peregrinorum” or Mother of Pilgrims. The original artist is not known, but Italians also refer to the painting as the “Madonna di Scossacavalli” because it came from Rome’s Church of San Giacomo Scossacavalli, which was demolished in 1937 to create the current Via della Conciliazione leading to St. Peter’s Basilica.
Our Lady of Perpetual Help
A 12th-century painting on wood titled Our Lady of Perpetual Help in the Gregorian Chapel of St. Peter’s Basilica. Daniel Ibañez/CNA
A 12th-century painting on wood titled Our Lady of Perpetual Help, also known as Our Lady of Succor, was transferred to an altar in St. Peter’s Gregorian Chapel on February 12, 1578 with a solemn procession.
The painting was the first artistic restoration completed under Pope Francis’ pontificate during the Year of Faith, according to a book published by the Knights of Columbus.
The remains of the Doctor of the Church St. Gregory of Nazianzus (d. 390) are preserved in an urn beneath the Altar of Our Lady of Succor in the Gregorian Chapel, found on the right side of the basilica.
Ark of the Covenant
A mosaic altarpiece of the Presentation of the Virgin Mary in the Temple can be found above the tomb of Pope St. Pius X near the left-front entrance of the basilica. Daniel Ibañez/CNA
A colorful mosaic altarpiece of the Presentation of the Virgin Mary in the Temple brightens the wall above the tomb of Pope St. Pius X (d. 1914) in the Presentation Chapel near the left-front entrance of the basilica.
A young Mary is depicted on the steps of the Temple with her parents, Sts. Anne and Joachim, the grandparents of Jesus.
The mosaic completed by Pietro Paolo Cristofari in 1728 is based on a painting by 17th-century artist Giovanni Francesco Romaneli, the original of which can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.
Gate of Heaven
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the oldest door of St. Peter’s Basilica is a reminder of Mary’s title, “Gate of Heaven.”. Daniel Ibañez/CNA
The central door leading to basilica was retained from the old St. Peter’s Basilica and is known as the Filarete Door. Created by a Florentine artist in 1455, the door depicts Christ, the Virgin Mary, and the apostles Sts. Peter and Paul.
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the door is a reminder of Mary’s title, “Gate of Heaven.”
Queen Assumed into Heaven
The mosaics decorating the interior dome of St. Peter’s Basilica depict the Blessed Virgin Mary next to Christ the Redeemer and the Apostles. Daniel Ibañez/CNA
Looking up at the soaring cupola, or dome, of St. Peter’s Basilica, one sees mosaics depicting the Blessed Virgin Mary next to Christ the Redeemer, along with St. John the Baptist and the apostles.
The mosaic of the Virgin Mary on the Great Dome, completed in 1610 by Orazio Gentileschi, is based on drawings by Italian Mannerist painter Giuseppe Cesari.
Mother of the Redeemer
Michelangelo’s Pieta conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified. Daniel Ibañez/CNA
Michelangelo Buonarroti carved the Pieta from a single slab of Carrara marble when he was 24-years old. The sculpture was unveiled in St. Peter’s Basilica for the Jubilee of 1500.
The moving sculpture conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified.
The sculpture sits above a side-altar near the front entrance of St. Peter’s Basilica, where Mass was sometimes offered before recent restrictions. Visitors to the basilica can only see the Pieta behind bulletproof glass after a man attacked the sculpture with a hammer in May 1972.
The Pieta was the only work of art that Michelangelo ever signed.
Vatican City, Nov 26, 2018 / 10:14 am (CNA/EWTN News).- In a meeting with seminarians Saturday, Pope Francis said it is necessary for priests to maintain an open and filial discussion with their bishop, since he is the unifying figure of the diocese.
“You cannot be a good priest without a filial dialogue with the bishop. This is something non-negotiable,” the pope said in the Vatican’s Consistory Hall.
“As someone likes to say, ‘No, I am an employee of the Church.’ You are wrong,” he continued. “Here there is a bishop, there is not an assembly where the position is negotiated. There is a father who unifies: like Jesus wanted things. A father who unifies.”
Pope Francis set aside his prepared speech during a Nov. 24 meeting with seminarians of the Diocese of Agrigento, in order to, he said, “speak a little spontaneously,” on the relationship between a diocesan priest and his bishop.
The bishop “is not the owner of a company;” he is not “the one who commands” while some obey, others pretend to obey, and still others do nothing, Francis said. “No, the bishop is the father, he is fruitful, he is the one who generates the mission.”
He noted that the term “mission” is a loaded one, signifying the will of God and the work of the Holy Spirit, advising seminarians to “learn to see in the bishop the father who was there to help you grow, to move forward and to accompany you in the moments of your apostolate.”
Whether the bishop is there “in beautiful moments, in bad moments,” he said, “but to accompany you always; in moments of success, in the moments of defeat you always have in life… This is something very, very important.”
The pope said the only way this accompaniment can happen, is if priests have a relationship with their bishop; that he knows them as they are, with their own virtues and faults, personalities, and ways of feeling and thinking.
Since it is the bishop who gives the priests of his diocese their parish or other assignment, Pope Francis emphasized the importance of the bishop knowing his priests, so he can make the right choice in the mission he assigns.
But do not meddle in the bishop’s decision, he warned. “Leave the bishop to sort it out: to organize [things] in the Spirit.”
He emphasized that this is not the same as arranging things into an “organizational chart,” though sometimes the Church may use organizational tools for functionality. “But the Church goes beyond the organizational chart, it is another thing: it is life, life ‘sorted’ in the Holy Spirit.”
The pope also made an analogy between the men in formation for the priesthood and the clay pot, which if not right, the potter can reshape or remake – but only before the clay has been baked.
The seminary is a time of training, he explained, and if they have a disagreement about something or do not understand, they should express it appropriately to the rector. “This is important, to say what you feel,” he advised.
This is so that they each can be truly become “a vessel full of grace,” he said, warning that if they “stay silent and do not talk, do not say your difficulties, do not tell your apostolic anxieties and all you want, a silent man, once ‘baked,’ cannot be changed.”
“And all life is like this,” he continued. “It is true that sometimes it is not pleasant for the potter to intervene decisively, but it is for your own good. Let yourself be trained, let yourself be formed.”
Pope Benedict XVI greets the pilgrims during his weekly general audience in St. Peter’s Square at the Vatican on Oct. 26, 2006. / giulio napolitano / Shutterstock
Rome Newsroom, Dec 31, 2022 / 03:15 am (CNA).
Here is a look back at the key date… […]
Leave a Reply