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Former Bishop Gustavo Zanchetta of the Diocese of Oran, Argentina. / ACI Prensa

ACI Prensa Staff, Aug 13, 2022 / 04:00 am (CNA).
A former seminarian and victim of the bishop emeritus of Oran, Argentina, Gustavo Zanchetta — who was sentenced to … […]

March 26, 2021: The restored image of the Virgin Mary destroyed by ISIS returned to its original parish in Iraq. / Fr. Thabet Habeb/CNA

Washington, D.C. Newsroom, Sep 1, 2021 / 16:00 pm (CNA).
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Lalo Garcia’s painting of Saint Junípero Serra is featured in the ‘250 Years of Mission’ exhibit. / Lalo Garcia.

Los Angeles, Calif., Sep 20, 2021 / 15:34 pm (CNA).

On September 11, the Archdiocese of Los Angeles began a Jubilee Year, Forward in Mission, to mark 250 years since the opening of the region’s first church, Mission San Gabriel Arcángel, founded in 1771 by Saint Junípero Serra. An exhibit titled 250 Years of Mission will be on display at the Cathedral of Our Lady of the Angels through Sept. 10, 2022, to tell the story of the Catholic faith in the region.   

“The Church has left such an indelible mark on our culture here from street names, the city names, and everything in between, to our radical charity in the community,” said Father Parker Sandoval, Vice Chancellor for Ministerial Services for the Archdiocese of Los Angeles. “We thought it was very important to put forward to everyone for free, in an accessible space, a display of beauty and an opportunity to learn the richness of our history.” 

Local artists Aurelio G. D. Mendoza, Lalo Garcia, and John Nava are featured in the exhibit, which spans four galleries inside the cathedral. The galleries include historical documents and artifacts; colonial art from Spain and Mexico; Native American religious art; and the contributions of Mendoza, Garcia, and Nava. 

“Historically, here in Southern California, the missions are extremely important, not only as a tourist attraction, but as the seed of Catholicism,” said Garcia, whose oil painting of Saint Junípero Serra is in the exhibit. “I hope that you get a feel of Southern California, who we are, the buildings that we have here in the Camino Real, feel proud of the heritage as Californianos, and see the good things that he [St. Junípero Serra] did.” 

Garcia’s painting, which was commissioned by Archbishop José Gomez in honor of the canonization of Saint Junípero Serra in 2015, measures 30-by-40-inches and has a halo made of 24-karat gold leaf. He hopes his works become an “instrument for historians, priests, seminarians, teachers, anybody who acquires the piece, so that they can actually talk about it,” he said.

“I spend a lot of time reading, meditating, and thinking about the piece that I am going to create,” said Garcia, who came to the United States from Mexico when he was 13 years old. “It gives me more responsibility to create this type of art when I have seen people praying in front of an image that I have painted. I want the piece to be worthy of the space it’s going to take.” 

Two large oil paintings by Aurelio G. D. Mendoza (1901-1996) are also included in the exhibit. The two pieces are part of a trilogy called El Camino Real, which aim to depict both conversion of the Indigenous people and the construction of missions in California. In the first piece, which measures six-feet tall by five-feet wide, Mendoza painted Saint Junípero Serra pointing ahead, “signaling the way to follow,” said his granddaughter Lucy Mendoza. 

Mendoza’s second painting in the exhibit, titled Mision San Diego de Alcala, is five feet tall by eight-and-a-half feet wide. It shows Saint Junípero Serra with Father Sanchez, the architect of the San Diego mission, among both the Indigenous people and the Spanish soldiers.

“He took great care in making sure the Indigenous were portrayed with such beauty and grace,” said Lucy Mendoza.

Both pieces were completed in approximately 1976, when Mendoza was 75 years old. 

“You want people to feel a sense of pride in the history of California—and I know there’s been some pain, there’s been some controversy—but I also feel that there’s so much good also,” said Lucy Mendoza. “My abuelito always said that so much can be learned through art.” 

The scale of Mendoza’s pieces, Father Sandoval said, are in themselves impactful. 

“They’re huge, they literally fill walls, and the images just pop,” he said. “Then, knowing that these were painted by people who have a devotion to the saints they are depicting makes them particularly beautiful.”

John Nava, the third local artist included in the exhibit, wove the tapestry for the Mass of Canonization of Saint Junípero Serra in 2015 in Washington, D.C.. Nava’s tapestry is on display in the same chapel as the other artists’ works. 

“It’s not simply that they’re great artists, but fundamentally they’re people of faith,” said Father Sandoval. “That really comes through in the artwork.”

In addition to the local artists, 250 Years of Mission includes religious objects and art from Mission San Gabriel Arcángel, which fell victim to arson in July 2020, as well as materials from the archdiocesan archives. 

The exhibit aims to be both educational and beautiful, said Father Sandoval. 

“We live in a time where we are bombarded by bad news and ugliness on the newsfeed, on the front page, and on the screen,” said Father Sandoval. “That’s why we thought it was really important to accent the beauty of our faith and the history of the church and our mission here.” 

The exhibit is open Monday through Friday, 8 a.m. to 4 p.m.; Saturdays, 9 a.m. to 3 p.m.; and Sundays from 7 a.m. to 3 p.m. Since the galleries line the sides of the cathedral, the exhibit is open anytime the cathedral is open to the public. 

“We hope that people not only enjoy the beauty and learn the history, but, above all, feel inspired to build on the legacy of faith that started here 250 years ago,” said Father Sandoval. “This is a summons to revival, to renewal, to refocus on what matters most, which is putting people in contact with Jesus.” 

“We hope we can bring as many people—especially young people—as possible to visit and feel moved to move into mission,” he said. 

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