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Religious sisters of the Benedictines of Mary, Queen of Apostles, sing as the process with the body of their late foundress, Sister Wilhelmina Lancaster, on May 29, 2023, at their abbey near Gower, Missouri. The sisters exhumed the nun’s body on May 18 and discovered that it was apparently intact, four years after her death and burial in a simple wooden coffin. / Joe Bukuras/CNA
Gower, Missouri, May 29, 2023 / 20:02 pm (CNA).
The body of Sister Wilhelmina Lancaster, an African American nun whose surprisingly intact remains have created a sensation at a remote Missouri abbey, was placed inside a glass display case Monday after a solemn procession led by members of the community she founded.
About 5 p.m., dozens of religious sisters of the Benedictines of Mary, Queen of Apostles, carried their foundress on a platform around the property of the Abbey of Our Lady of Ephesus, reciting the rosary and singing hymns. Some of the thousands of pilgrims who visited the abbey over the three-day Memorial Day weekend followed behind.
Beautiful procession of the remains of Sr. Wilhelmina Lancaster, a Benedictine nun who died in 2019 and now appears to be in an unexpected state of preservation. Her new resting place is inside the church at the sisters’ monastery in Gower, MO. pic.twitter.com/Ax9uYPKXYv
— Joe Bukuras (@JoeBukuras) May 29, 2023
The procession, held in bright, late-afternoon sunshine, culminated inside the abbey’s church, where the nun’s body was placed into a specially made glass case. Flowers surrounded her body and decorated the top of the case, where there is an image of St. Joseph holding the Child Jesus. The church was filled with pilgrims, including many priests and religious sisters from other orders.
Sister Wilhelmina, who founded the Benedictine order in 1995 when she was 70 years old, died in 2019. Expecting to find only bones, her fellow sisters exhumed her remains on May 18 intending to reinter them in a newly completed St. Joseph’s Shrine, only to discover that her body appeared astonishingly well-preserved.
The sisters say they intended to keep their discovery quiet, but the news got out anyway, prompting worldwide media coverage and a flood of pilgrims arriving at the abbey in Gower, a city of 1,500 residents about an hour’s drive from Kansas City, Missouri. A volunteer told CNA that more than 1,000 vehicles came onto the property on Monday but no official count was available.
There has been no official declaration that Sister Wilhelmina’s remains are “incorrupt,” a possible sign of sanctity, nor is there a formal cause underway for her canonization, a rigorous process that can take many years. The local ordinary, Bishop Vann Johnston of the Diocese of Kansas City-St. Joseph, has said that a “thorough investigation” is needed to answer “important questions” raised by the state of her body, but there has been no word on if or when such an analysis will take place.
Before Monday’s procession, pilgrims again waited in line throughout the day for an opportunity to see and touch Sister Wilhelmina’s body before its placement in the glass case, where it will remain accessible for public viewing.
Among those who came on Monday were Tonya and William Kattner, of Excelsior Springs, Missouri.
“You’ve got to experience the magic and the miracle of it,” Tonya Kattner said.
“It’s a modern-day miracle and it was just something we had to come to,” William Kattner said. “Especially with everything going on in the world today, something like this brings hope.”
Kate and Peteh Jalloh, of Kansas City, Missouri, also didn’t want to pass up the chance to see Sister Wilhelmina.
“I strongly believe in the Catholic faith. I believe in miracles and I have never seen anything like this before. I’ve got a lot going on in my life and this is the best time to get that message from a nun,” Kate Jalloh said.
“It could take another hundred years for us to see something like this,” she added.
Janie Bruck came with her cousins, Kristy Cook and Halle Cook, all from Omaha, Nebraska.
“I came to witness the miracle. I believe we’re in a Jesus revolution and he’s sending us lots of signs,” Bruck said. Kristy Cook, a former Omaha police officer, said she was surprised that Sister Wilhelmina’s body had no odor of decay.
The sisters have publicly thanked the many local law enforcement officers, medical personnel, and volunteers who helped manage the influx of pilgrims over the holiday weekend.
Among the volunteers was Lucas Boddicker, of Kearney, Missouri, who joined members of his Knights of Columbus council based at St. Anne’s Catholic Church in nearby Plattsburgh, Missouri, to guide visiting vehicles to a makeshift parking lot in an open field. Other knights from local parishes helped set up tents and handed out free hamburgers, fruit, and bottles of water.
“That’s one thing the Knights do pretty well,” Boddicker said. “They get the word out when we need manpower.”
Priests heard confessions in a large grass field for hours, some using trees for shade, as young children played on the abbey grounds.
Three religious sisters from the Poor of Jesus Christ order, based in Kansas City, Kansas, said they were inspired by seeing Sister Wilhelmina’s body.
One of the religious, Sister Azucena, said she “wanted to cry,” while praying at the nun’s side. “I just had this feeling of peace and love. We share a vocation. Her fidelity to the Lord and her love, I could feel that there,” she said.
A married couple, Jason and Jessica Ewell, both of whom are blind, were visiting Kansas City, Missouri, from Pennsylvania when they heard Monday morning about Sister Wilhelmina’s body.
“It’s just kind of a neat thing to be a part of the beginning of this story,” Jessica Ewell said.
“I was asking for her intercession for children for our marriage,” she said. “A lot of people think ‘Oh, it’s the blindness,’ but no, it’s not that at all,’” she said.
“Yesterday I was kind of in a place where I said, ‘God, I need something right now,’” she said. “We always hear about these miracles. But they’re long ago and far away and always happen to other people.”
Trish Bachicha, Jessica’s mother, said she believes that God is sending a message.
“He saying ‘I’m alive and well and I haven’t forgotten you,’” she said.
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When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary, Virgin Immaculate, in the Chapel of the Choir in St. Peter’s Basilica. / Daniel Ibañez/CNA
Vatican City, May 29, 2023 / 10:30 am (CNA).
To honor the Blessed Virgin Mary, the Vatican offers a special Marian pilgrimage within St. Peter’s Basilica each Saturday afternoon during the month of May.
The Marian itinerary brings pilgrims from Michelangelo’s marble sculpture of the Pieta to Our Lady of Perpetual Help, a 12th-century painting brought into the basilica in 1578 in a solemn procession.
For those unable to travel to the Eternal City, CNA is providing the following “virtual tour” with photos by Daniel Ibañez of eight beautiful images of Our Lady in St. Peter’s Basilica for the feast of Mary, Mother of the Church.
Virgin Immaculate
In the basilica’s Chapel of the Choir, a large altarpiece reveals Mary, Virgin Immaculate, in the glory of heaven above angels and saints. The mosaic based on an 18th-century painting by Italian artist Pietro Bianchi depicts St. John Chrysostom St. Francis of Assisi, and St. Anthony of Padua venerating the Blessed Virgin Mary.
The chapel is located on the left side of the basilica behind an iron gate designed by Gian Lorenzo Bernini. St. John Chrysostom is buried beneath the altar, which also contains relics of St. Francis and St. Anthony.
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary. Pope Pius X later added a larger diamond crown to mark the 50th anniversary of the declaration in 1904.
The original painting by Bianchi can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.
Mother of the Church
The basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”
The original image of the Virgin Mary and the Christ Child was painted on a column in old St. Peter’s Basilica, built by Emperor Constantine in the fourth century. It was later transferred to the 16th-century St. Peter’s Basilica. Paul VI honored the icon with the title “Mater Ecclesiae” after the Second Vatican Council.
The icon can still be seen above one of the basilica’s side altars in the Chapel of Our Lady of the Column, which also contains the remains of Pope St. Leo the Great (440-461).
A mosaic of the Virgin Mary overlooking St. Peter’s Square was inspired by the original Mater Ecclesiae image. The mosaic was installed after the assassination attempt against St. John Paul II in 1981.
When he blessed the mosaic, John Paul II prayed “that all those who will come to this St. Peter’s Square will lift up their gaze towards you [Mary], to direct, with feelings of filial trust, their greetings and their prayers.”
In 2018, Pope Francis added the memorial of “Mary, Mother of the Church” to the liturgical calendar for the Monday after Pentecost.
Mother of Pilgrims
A restored 16th-century painting of Our Lady holding her son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV.
The image is titled “Mater Peregrinorum” or Mother of Pilgrims. The original artist is not known, but Italians also refer to the painting as the “Madonna di Scossacavalli” because it came from Rome’s Church of San Giacomo Scossacavalli, which was demolished in 1937 to create the current Via della Conciliazione leading to St. Peter’s Basilica.
Our Lady of Perpetual Help
A 12th-century painting on wood titled Our Lady of Perpetual Help, also known as Our Lady of Succor, was transferred to an altar in St. Peter’s Gregorian Chapel on February 12, 1578 with a solemn procession.
The painting was the first artistic restoration completed under Pope Francis’ pontificate during the Year of Faith, according to a book published by the Knights of Columbus.
The remains of the Doctor of the Church St. Gregory of Nazianzus (d. 390) are preserved in an urn beneath the Altar of Our Lady of Succor in the Gregorian Chapel, found on the right side of the basilica.
Ark of the Covenant
A colorful mosaic altarpiece of the Presentation of the Virgin Mary in the Temple brightens the wall above the tomb of Pope St. Pius X (d. 1914) in the Presentation Chapel near the left-front entrance of the basilica.
A young Mary is depicted on the steps of the Temple with her parents, Sts. Anne and Joachim, the grandparents of Jesus.
The mosaic completed by Pietro Paolo Cristofari in 1728 is based on a painting by 17th-century artist Giovanni Francesco Romaneli, the original of which can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.
Gate of Heaven
The central door leading to basilica was retained from the old St. Peter’s Basilica and is known as the Filarete Door. Created by a Florentine artist in 1455, the door depicts Christ, the Virgin Mary, and the apostles Sts. Peter and Paul.
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the door is a reminder of Mary’s title, “Gate of Heaven.”
Queen Assumed into Heaven
Looking up at the soaring cupola, or dome, of St. Peter’s Basilica, one sees mosaics depicting the Blessed Virgin Mary next to Christ the Redeemer, along with St. John the Baptist and the apostles.
The mosaic of the Virgin Mary on the Great Dome, completed in 1610 by Orazio Gentileschi, is based on drawings by Italian Mannerist painter Giuseppe Cesari.
Mother of the Redeemer
Michelangelo Buonarroti carved the Pieta from a single slab of Carrara marble when he was 24-years old. The sculpture was unveiled in St. Peter’s Basilica for the Jubilee of 1500.
The moving sculpture conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified.
The sculpture sits above a side-altar near the front entrance of St. Peter’s Basilica, where Mass was sometimes offered before recent restrictions. Visitors to the basilica can only see the Pieta behind bulletproof glass after a man attacked the sculpture with a hammer in May 1972.
The Pieta was the only work of art that Michelangelo ever signed.
Pope Francis presides over Pentecost Mass in St. Peter’s Basilica on May 28, 2023. / Daniel Ibáñez/CNA
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