News Briefs

Thousands of faithful gather outside Rome’s illuminated Colosseum for the traditional Good Friday Way of the Cross ceremony on April 18, 2025, where Cardinal Reina led the procession featuring Pope Francis’s meditations on divine mercy and human fragility. / Vatican Media / Screenshot

CNA Newsroom, Apr 18, 2025 / 18:05 pm (CNA).

Against the ancient backdrop of Rome’s Colosseum, thousands gathered Friday evening for the solemn Via Crucis procession, where Cardinal Baldassare Reina carried the cross on behalf of Pope Francis, who remains in recovery from pneumonia but whose spiritual presence was palpably felt through his powerful meditations.

The 88-year-old pontiff, unable to attend the Good Friday ceremony in person for the third consecutive year due to ongoing recovery from bilateral pneumonia, prepared deeply reflective texts that accompanied the fourteen stations. Though absent physically, his words provided a particular presence as participants proceeded through the traditional commemoration of Christ’s passion.

In his meditations, Pope Francis contrasted “God’s economy, which does not kill, discard or crush” with today’s world built on “calculation and algorithms, cold logic and implacable interests.” This divine economy, he noted, “is lowly, faithful to the earth” and follows “the way of the Beatitudes” that “does not crush, but cultivates, repairs and protects.”

The liturgical ceremony began at 9:15 p.m. local time with Cardinal Reina, the pope’s vicar general for the diocese of Rome, carrying the cross for the first station. Various groups representing different aspects of the Church and society took turns bearing the wooden cross through subsequent stations, including youth, Caritas volunteers, families, people with disabilities, migrants, healthcare workers, religious, educators, and Jubilee volunteers.

Pope Francis described the Way of the Cross as “the prayer of people on the move” that “disrupts our usual routine” to lead from “weariness to joy.” His meditations stressed how Christ’s path through suffering represents “a change of course and a change of pace — a conversion that restores joy and brings us home.”

“The road to Calvary passes through the streets we tread each day,” the pope wrote in his introduction.

“Usually, Lord, we are walking in the other direction, and so it may just happen that we encounter you, catch sight of your face, meet your gaze.”

Several meditations focused on human fragility and God’s response to it. At the seventh station, where Jesus falls for the second time, the pope reflected, “Fall and get up again; fall and get up again. That is how you taught us, Jesus, to approach the adventure of human life.” He added that humans “are not mass-produced but handcrafted: we are unique treasures, a blend of grace and responsibility.”

When addressing Jesus being stripped of his garments in the tenth station, Francis noted, “You are the Bridegroom who lets himself be taken and touched, who turns everything to good… You know each of us singly, so as to save us together: all of us, each and every one.”

The ceremony concluded with Saint Francis’s prayer: “Most High and glorious God, cast your light into the darkness of my heart. Grant me right faith, firm hope, perfect charity, and profound humility.”

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Saints Peter and Paul, the patron saints of Rome, guard the entrance to Ponte Sant’Angelo, welcoming pilgrims as they begin their journey toward St. Peter’s Basilica. / Credit: Daniel Ibáñez/CNA

Rome Newsroom, Apr 18, 2025 / 15:10 pm (CNA).

Each year, thousands of faithful pilgrims purposefully pass over the Tiber River via Rome’s Ponte Sant’Angelo, where marble messengers lining the bridge recall Christ’s passion through the sacred symbols they solemnly hold.

In 1535, Pope Clement VII ordered the placement of statues of Sts. Peter and Paul, the patrons of Rome, at the bridge’s entrance. However, it wasn’t until 1669 that Pope Clement IX commissioned a new balustrade designed by the renowned Gian Lorenzo Bernini.

Ten angels, each bearing an element of the Passion, were placed atop this structure, sculpted by Bernini’s students under his meticulous direction.

Today, on Good Friday, the Catholic Church commemorates the crucifixion of the Lord. The bridge has undergone extensive restoration in recent months, and this jubilee Holy Week unveils its newly refreshed marble.

The iconic bridge, connecting the “Ponte” district with the Borgo and the castle that once served as a papal residence, a fortress in times of war, and a prison for criminals was reopened to pedestrians in January to mark the beginning of the Jubilee of Hope and the inauguration of the new Piazza Pia, which now links Via della Conciliazione directly to Vatican City.

The angels of Ponte Sant’Angelo were designed to serve as a spiritual guide for pilgrims on their journey toward St. Peter’s Basilica.

Looking up while walking along the bridge, visitors first encounter an angel holding a column in its arms, a reminder of Christ’s scourging. At its base, the inscription reads: “Tronus meus in columna” (“My throne is upon a column”), a work attributed to Antonio Raggi.

Directly opposite stands an angel carrying whips, with the inscription: “In flagella paratus sum” (“I am ready for the scourging”), sculpted by Lazzaro Morelli.

Further along, an angel holds the Veil of Veronica, the cloth used to wipe Christ’s sweat and blood, on which His face was imprinted. The base of this sculpture, created by Cosimo Fancelli, bears the inscription: “Respice faciem Christi tui” (Look upon the face of your Christ).

Notably, its pedestal bears a dent from a cannonball impact during the defense of the Vatican in 1870.

On the opposite side, an angel holds the crown of thorns placed on Christ’s head, sculpted by Paolo Naldini and completed by Bernini himself. The original sculpture is now housed in the Roman church of Sant’Andrea delle Fratte. The inscription reads: “In aerumna mea dum configitur spina” (In my affliction, while the thorn is driven in).

Next, an angel presents Christ’s tunic along with the dice used by the soldiers to cast lots for His garments. The inscription on this sculpture reads: “Super vestimentum meum miserunt sortem” (They cast lots for my tunic), a work by Paolo Naldini.

Another angel carries a cross, a piece sculpted by Ercole Ferrata, inscribed with “Cuius principatus super humerum eius” (And the dominion is upon His shoulder), referring to Christ as the prophesied Messiah and King.

Following this, a second Bernini-designed angel holds a plaque with the inscription INRI. The sign above the cross explains the reason for His execution: Jesus of Nazareth, King of the Jews.

The inscription at the sculpture’s base reads: “Regnavit a ligno Deus” (God has reigned from the tree), referring to Christ’s cross. The original piece was also moved to Sant’Andrea delle Fratte.

Another angel holds a set of nails, symbolizing those used to pierce Christ’s hands and feet. The accompanying inscription, “Aspicient ad me quem confixerunt” (They will look upon the one they have pierced), frames this sculpture by Girolamo Lucenti.

Opposite stands an angel carrying a sponge, recalling the one used by the soldiers to give vinegar to Jesus. Its inscription reads “Potaverunt me aceto” (They gave me vinegar to drink), a piece by Antonio Giorgetti.

Finally, there is the angel sculpted by Domenico Guidi, holding a lance—the weapon used by St. Longinus to pierce Christ’s side, from which blood and water flowed. At its base, the inscription reads: “Vulnerasti cor meum” (You have wounded my heart).

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Father Roberto Pasolini, OFM Cap, gives the homily during a two-hour Liturgy of the Lord’s Passion in St. Peter’s Basilica on Good Friday, April 18, 2025. / Credit: Daniel Ibañez/CNA

Vatican City, Apr 18, 2025 / 13:29 pm (CNA).
Rather than an “… […]

U.S. Vice President JD Vance (right) and his family attend the Vatican’s Liturgy for the Lord’s Passion in St. Peter’s Basilica on Good Friday, April 18, 2025. / Credit: Daniel Ibañez/CNA

Vatican City, Apr 18, 2025 / 12:05 pm (CNA).
U.S. Vice P… […]

Cardinal Mauro Gambetti performs the washing of feet ritual for laypersons during the Holy Thursday Mass in St. Peter’s Basilica, Vatican City, April 17, 2025. / Vatican Media / Screenshot

CNA Newsroom, Apr 17, 2025 / 17:18 pm (CNA).

During the Mass of the Lord’s Supper on Holy Thursday, Cardinal Mauro Gambetti reflected on Jesus’ humble act of washing His disciples’ feet, calling the Church to become a Eucharistic people who serve with love rather than seeking power or profit.

Cardinal Mauro Gambetti, Archpriest of St. Peter’s Basilica, urged Catholics to reject a world that “betrays” people for economic gain and power, instead embracing the “power of service” exemplified by Christ washing the disciples’ feet at the Last Supper.

The prelate presided over the Mass in Coena Domini on April 17 at St. Peter’s Basilica, which included the traditional washing of feet ceremony with laypeople who work in or frequent the basilica.

“The world too often betrays us, hands us over, for some profit, economic or power-based,” Cardinal Gambetti said in his homily. “Against this logic — which fuels the conflicts of our time — stands a new kind of power, rooted in service and embodied by Jesus, the concrete expression of the ‘dynamism of proximity.’”

The cardinal began his reflection with the origins of Passover in Egypt, noting that the Jewish celebration arose not in triumph but “amid slavery, oppression, and suffering.” He explained the Hebrew term “Pesach” means “to leap, to protect,” illustrating how “God dances before homes to protect the humble and poor who trust in him, while death passes by.”

Drawing parallels between the first Passover and Christ’s own Passover, Gambetti emphasized that Jesus celebrated with His disciples amid hardship, “injustices, harassment, slander, illness, violence, fear, and solitude.” Yet Jesus “ardently desired intimacy and familiarity” with His followers despite knowing betrayal was imminent.

“The group around Him is human,” the cardinal said, “imperfect, diverse. Some impulsive, some proud, some fearful. But all of them are loved.”

Cardinal Gambetti noted that contemporary society mirrors the ancient pattern of betrayal, where everything is commodified “on the basis of a cost-benefit relationship, for some profit, economic or power-based.” He lamented that compassion is lacking for “the marginalized, migrants, the environment,” while wars reflect “the decline, the concretion of conflicts and evil in the world.”

The cardinal pointed to Jesus as the antidote to both ancient and modern corruption. “The only thing that interests Him is love,” Gambetti said. “This is the only priesthood. He washes feet, even Judas’s feet. He washes my feet. He washes your feet.”

Following the final prayer, a procession led by Cardinal Gambetti accompanied the Blessed Sacrament to a chapel prepared for adoration, with the Cappella Giulia, the historic choir of St. Peter’s, singing “Pange Lingua.”

The Vatican noted that this musical tradition dates back to 1513, when Pope Julius II reorganized the ensemble that continues to preserve “note by note, the beauty of the liturgy.”

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