Blessed Virgin Mary

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News Briefs

Pope Francis: Mary ‘never keeps us waiting’

August 9, 2023 Catholic News Agency 1
Pope Francis smiles at pilgrims during his Wednesday general audience in the Vatican’s Paul VI Hall on Aug. 9, 2023. / Daniel Ibanez/CNA

Vatican City, Aug 9, 2023 / 03:40 am (CNA).

Pope Francis said Wednesday he likes to invoke the Virgin Mary under the title of “Our Lady ‘in haste,’” because she is always ready to swiftly intercede for her children’s requests.

“At World Youth Day, the Gospel proposed to young people the model of the Virgin Mary. At her most critical moment, [Mary] goes to visit her cousin Elizabeth. The Gospel says ‘she arose and went in haste,’” the pope said at his weekly audience in the Vatican’s Paul VI Hall Aug. 9.

“I really like to invoke Our Lady in this aspect,” Francis added. “Our Lady ‘in haste,’ who always gets things done quickly, never keeps us waiting, because she is the mother of all.”

“Mary arose and went with haste,” from Luke 1:39, was the theme of World Youth Day 2023 in Lisbon, Portugal. The international gathering of Catholic youth, held Aug. 1-6, drew around 1.5 million people to its closing vigil and Mass with Pope Francis.

Pilgrims at the Wednesday general audience Aug. 9, 2023 hold up an image of the Virgin Mary. Daniel Ibanez/CNA
Pilgrims at the Wednesday general audience Aug. 9, 2023 hold up an image of the Virgin Mary. Daniel Ibanez/CNA

Pope Francis resumed his Wednesday general audience Aug. 9 after traveling Aug. 2-6 to Portugal and taking a break during the month of July.

While in Portugal, Francis also stopped at the Shrine of Our Lady of Fatima, where he prayed a rosary with sick young adults.

“Just as she did a century ago in Portugal, at Fatima, when she addressed three children, entrusting them with a message of faith and hope for the Church and the world,” the pope said, “today, in the third millennium, Mary still guides the pilgrimage of young people in following Jesus.”

He said he prayed at the place of the apparitions that God would heal the world of the diseases of the soul: “pride, lies, enmity, violence.”

“We renewed the consecration of ourselves, of Europe, of the world to the Immaculate Heart of Mary. And I prayed for peace, because there are so many wars in the world, so many,” he added.

On his return flight to Rome from Lisbon Aug. 6, Pope Francis said in Fatima he prayed a private prayer for peace, though he opted to skip reading aloud a prayer that consecrated the Church and “countries at war” to the Blessed Virgin Mary.

Francis said his second visit to Portugal “benefited from the festive atmosphere of… the wave of young people” in attendance at World Youth Day.

“It was not a vacation, a tourist trip, nor even a spiritual event closed on its self,” he said. “The Youth Day is an encounter with Christ through the Church. Young people go to encounter Christ.”

“While in Ukraine and other places in the world there is fighting, and while in certain hidden halls war is planned — it’s terrible, isn’t it? War is planned — World Youth Day showed everyone that another way is possible: a world of brothers and sisters, where the flags of all peoples fly together, next to each other, without hatred, without fear, without closing up, without weapons,” the pope said to an outbreak of applause.

“The message of the young people was clear: will the ‘great of the earth’ listen to it? I ask myself: will they listen to this young enthusiasm that wants peace?” he said.

“It is,” he continued, “a parable for our time, and even today Jesus says: ‘He who has ears, let him hear! He who has eyes, let him look!’ We hope that the whole world will listen to this Youth Day and look to this beauty of youth going forward.”

At the end of his audience, Pope Francis expressed his closeness to the people of Slovenia and Georgia, who have experienced devastating natural disasters this week, including flooding and landslides.

In Slovenia, at least six people have died, while in Georgia, at least 16 were killed and 35 more are missing, according to local officials.

“I pray for the victims and express my spiritual closeness to their families and to all those who are suffering as a result of these disasters, while I thank those who have offered them assistance, especially the volunteers,” the pope said.

Francis also noted the Catholic Church’s celebration of the feast of St. Teresa Benedicta of the Cross, also known as Edith Stein, a co-patroness of Europe.

“May her witness stimulate commitment to dialogue and fraternity among peoples and against all forms of violence and discrimination,” he said. “To her intercession we entrust the dear people of Ukraine, that they may soon find peace again.”

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News Briefs

‘Mary, Explained’ series addresses Marian devotion in Arlington Diocese and beyond

June 11, 2023 Catholic News Agency 1
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary, Virgin Immaculate, in the Chapel of the Choir in St. Peter’s Basilica. / Daniel Ibañez/CNA

Washington D.C., Jun 11, 2023 / 07:00 am (CNA).

St. John Paul II said of Mary: “This woman of faith, Mary of Nazareth, the Mother of God, has been given to us as a model in our pilgrimage of faith.” And yet, many of us may not have a personal relationship with her. Perhaps we may not even understand why the Church reveres her so deeply.

The Catholic Diocese of Arlington, Virginia, is sparing no effort in addressing that through its new, seven-part video series “Mary, Explained.”

In preparation for its upcoming golden jubilee in 2024, the diocese has launched a three-year effort to prepare for the celebration. 

Year One, which began in November 2021, focused on the theme of the Eucharist. Out of that theme the diocese produced a series called “The Mass, Explained,” which received much positive feedback. 

This year, the second year of preparation, the theme for the diocese is “rejoice,” and the focus is Mary’s perfect example of joy.

Kerry Nevins, multimedia producer for the Arlington Diocese, told CNA: “‘Rejoice’ is centered around Mary’s response to the Annunciation when she is told that she’s going to be the mother of God.” He explained that this was their call from Bishop Michael F. Burbidge, who leads the diocese.

Bishop Michael F. Burbidge shares his thoughts in the "Mary, Explained" series on the importance of Marian theology and why the diocesan faithful ought to see Mary as our model disciple. Photo courtesy of Diocese of Arlington
Bishop Michael F. Burbidge shares his thoughts in the “Mary, Explained” series on the importance of Marian theology and why the diocesan faithful ought to see Mary as our model disciple. Photo courtesy of Diocese of Arlington

As Burbidge, Nevins, and their Arlington Diocese team continued to explore the theme, they decided to create a video series about Mary.

The seven-part series will unpack the Marian dogmas month by month by way of addressing the following topics: Who is Mary? (May); Was she the mother of God? (June); Was she immaculately conceived? (July); Was she assumed into heaven? (August); Was she ever-virgin? (September); Why do Catholics pray and have devotions to Mary? (October); and How can we embrace Mary as our model disciple? (November).

Nevins explained that the mission of the series is to “dive into who she is, what Catholics believe about her, what Catholics don’t believe about her, and why we should even be looking to her in the first place.”

“We don’t just want to know our faith for the sake of knowing our faith so we can get a couple of answers right on Catholic ‘Jeopardy,’” Nevins told CNA. “We want people to know their faith so that they can know Christ and come to be in a relationship with him, and I think the best way that you can get to know somebody is by meeting their mom.” 

Dr. Matthew Tsakanikas, associate professor of theology at Christendom College who is featured in the series, expressed how this project gracefully addresses a wide audience, hearing perspectives from priests, religious, and laypeople alike. Tsakanikas told CNA: “I think it’s written so that anyone accessing it has a chance to get insights at every level.”

Tsakanikas noted how “Mary, Explained” takes what might seem like lofty ideas and brings them down to us. “These dogmas aren’t supposed to be … just looking at Mary on a pedestal but also looking at Mary in terms of how these graces were assigning her a task and mission,” he said.

Through a deeper understanding of the Marian dogmas, viewers can understand how she, too, was commissioned to bring about the kingdom of God here on earth and hopefully encourage them to do the same. 

At a glance, it’s evident that the production quality was carefully considered.  

“A lot of planning went into it,” Nevins said. “We really believe that … quality is credibility.”  

With endless options to click through, Nevins acknowledged that the content had to be aesthetically appealing if they wanted people to consume it. “We really want to make Catholic media beautiful because we’ve got the greatest story to tell, but if the story doesn’t look good, people aren’t going to watch it,” he said. 

Beyond the production quality, the mission of the series is to stoke a fire of love for the Church and deepen devotion to Our Lady.

Father Daniel Hanley, formator at Mount St. Mary’s Seminary in Emmitsburg, Maryland, told CNA: “Letting people know and enter into relationship with Mary as spiritual mother is hugely important. She’s a real person, she’s involved in our life, and we should recognize it and let her be.”

The bishop’s leadership and inspiration is credited with the initial vision for the series, but the diocese was well suited for the project, according to Hanley. “There’s a lot of Marian devotion in our diocese,” he added.

Those involved in the production of “Mary, Explained” are hopeful that the series will bear the fruit of Marian devotion in their diocese and beyond. 

“It’s part of God’s plan for salvation that people know her and let her be part of their life,” Hanley said. “I noticed that they’ll lean in when you preach about Mary. There’s a desire to know more about her.”

A link to the series can be found at www.arlingtondiocese.org/maryexplained.

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News Briefs

PHOTOS: Discover 8 beautiful images of the Virgin Mary in St. Peter’s Basilica

May 29, 2023 Catholic News Agency 4
When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary, Virgin Immaculate, in the Chapel of the Choir in St. Peter’s Basilica. / Daniel Ibañez/CNA

Vatican City, May 29, 2023 / 10:30 am (CNA).

To honor the Blessed Virgin Mary, the Vatican offers a special Marian pilgrimage within St. Peter’s Basilica each Saturday afternoon during the month of May.

The Marian itinerary brings pilgrims from Michelangelo’s marble sculpture of the Pieta to Our Lady of Perpetual Help, a 12th-century painting brought into the basilica in 1578 in a solemn procession.

For those unable to travel to the Eternal City, CNA is providing the following “virtual tour” with photos by Daniel Ibañez of eight beautiful images of Our Lady in St. Peter’s Basilica for the feast of Mary, Mother of the Church.

In St. Peter's Basilica's Chapel of the Choir, a large mosaic based on painting by Italian artist Pietro Bianchi depicts Mary, Virgin Immaculate, in the glory of heaven being venerated by St. John Chrysostom (left) and other saints. Daniel Ibañez/CNA
In St. Peter’s Basilica’s Chapel of the Choir, a large mosaic based on painting by Italian artist Pietro Bianchi depicts Mary, Virgin Immaculate, in the glory of heaven being venerated by St. John Chrysostom (left) and other saints. Daniel Ibañez/CNA

Virgin Immaculate

In the basilica’s Chapel of the Choir, a large altarpiece reveals Mary, Virgin Immaculate, in the glory of heaven above angels and saints. The mosaic based on an 18th-century painting by Italian artist Pietro Bianchi depicts St. John Chrysostom St. Francis of Assisi, and St. Anthony of Padua venerating the Blessed Virgin Mary.

The chapel is located on the left side of the basilica behind an iron gate designed by Gian Lorenzo Bernini. St. John Chrysostom is buried beneath the altar, which also contains relics of St. Francis and St. Anthony.

When Pope Pius IX declared the doctrine of the Immaculate Conception of the Virgin Mary on December 8, 1854, he had a golden crown added to the mosaic of Mary. Pope Pius X later added a larger diamond crown to mark the 50th anniversary of the declaration in 1904.

The original painting by Bianchi can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.

Mother of the Church

St. Peter's Basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”. Daniel Ibañez/CNA
St. Peter’s Basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”. Daniel Ibañez/CNA

The basilica contains an icon of the Virgin Mary titled “Mater Ecclesiae,” which means “Mother of the Church.”

The original image of the Virgin Mary and the Christ Child was painted on a column in old St. Peter’s Basilica, built by Emperor Constantine in the fourth century. It was later transferred to the 16th-century St. Peter’s Basilica. Paul VI honored the icon with the title “Mater Ecclesiae” after the Second Vatican Council.

The icon can still be seen above one of the basilica’s side altars in the Chapel of Our Lady of the Column, which also contains the remains of Pope St. Leo the Great (440-461).

A mosaic of the Virgin Mary overlooking St. Peter’s Square was inspired by the original Mater Ecclesiae image. The mosaic was installed after the assassination attempt against St. John Paul II in 1981.

When he blessed the mosaic, John Paul II prayed “that all those who will come to this St. Peter’s Square will lift up their gaze towards you [Mary], to direct, with feelings of filial trust, their greetings and their prayers.”

In 2018, Pope Francis added the memorial of “Mary, Mother of the Church” to the liturgical calendar for the Monday after Pentecost.

Mother of Pilgrims

A restored 16th-century painting of Our Lady holding her Son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV under the title "Mother of Pilgrims.". Daniel Ibañez/CNA
A restored 16th-century painting of Our Lady holding her Son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV under the title “Mother of Pilgrims.”. Daniel Ibañez/CNA

A restored 16th-century painting of Our Lady holding her son can be found in St. Peter’s Basilica above the sarcophagus of Pope Gregory XIV.

The image is titled “Mater Peregrinorum” or Mother of Pilgrims. The original artist is not known, but Italians also refer to the painting as the “Madonna di Scossacavalli” because it came from Rome’s Church of San Giacomo Scossacavalli, which was demolished in 1937 to create the current Via della Conciliazione leading to St. Peter’s Basilica.

Our Lady of Perpetual Help

A 12th-century painting on wood titled Our Lady of Perpetual Help in the Gregorian Chapel of St. Peter's Basilica. Daniel Ibañez/CNA
A 12th-century painting on wood titled Our Lady of Perpetual Help in the Gregorian Chapel of St. Peter’s Basilica. Daniel Ibañez/CNA

A 12th-century painting on wood titled Our Lady of Perpetual Help, also known as Our Lady of Succor, was transferred to an altar in St. Peter’s Gregorian Chapel on February 12, 1578 with a solemn procession.

The painting was the first artistic restoration completed under Pope Francis’ pontificate during the Year of Faith, according to a book published by the Knights of Columbus.

The remains of the Doctor of the Church St. Gregory of Nazianzus (d. 390) are preserved in an urn beneath the Altar of Our Lady of Succor in the Gregorian Chapel, found on the right side of the basilica.

Ark of the Covenant

A mosaic altarpiece of the Presentation of the Virgin Mary in the Temple can be found above the tomb of Pope St. Pius X near the left-front entrance of the basilica. Daniel Ibañez/CNA
A mosaic altarpiece of the Presentation of the Virgin Mary in the Temple can be found above the tomb of Pope St. Pius X near the left-front entrance of the basilica. Daniel Ibañez/CNA

A colorful mosaic altarpiece of the Presentation of the Virgin Mary in the Temple brightens the wall above the tomb of Pope St. Pius X (d. 1914) in the Presentation Chapel near the left-front entrance of the basilica.

A young Mary is depicted on the steps of the Temple with her parents, Sts. Anne and Joachim, the grandparents of Jesus.

The mosaic completed by Pietro Paolo Cristofari in 1728 is based on a painting by 17th-century artist Giovanni Francesco Romaneli, the original of which can be found in Rome’s Basilica di Santa Maria degli Angeli e dei Martiri.

Gate of Heaven

According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the oldest door of St. Peter’s Basilica is a reminder of Mary’s title, “Gate of Heaven.”. Daniel Ibañez/CNA
According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the oldest door of St. Peter’s Basilica is a reminder of Mary’s title, “Gate of Heaven.”. Daniel Ibañez/CNA

The central door leading to basilica was retained from the old St. Peter’s Basilica and is known as the Filarete Door. Created by a Florentine artist in 1455, the door depicts Christ, the Virgin Mary, and the apostles Sts. Peter and Paul.

According to Father Agnello Stoia, the pastor of the parish of St. Peter’s Basilica, the 15th-century image of Mary on the door is a reminder of Mary’s title, “Gate of Heaven.”

Queen Assumed into Heaven

The mosaics decorating the interior dome of St. Peter's Basilica depict the Blessed Virgin Mary next to Christ the Redeemer and the Apostles. Daniel Ibañez/CNA
The mosaics decorating the interior dome of St. Peter’s Basilica depict the Blessed Virgin Mary next to Christ the Redeemer and the Apostles. Daniel Ibañez/CNA

Looking up at the soaring cupola, or dome, of St. Peter’s Basilica, one sees mosaics depicting the Blessed Virgin Mary next to Christ the Redeemer, along with St. John the Baptist and the apostles.

The mosaic of the Virgin Mary on the Great Dome, completed in 1610 by Orazio Gentileschi, is based on drawings by Italian Mannerist painter Giuseppe Cesari.

Mother of the Redeemer

Michelangelo's Pieta conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified. Daniel Ibañez/CNA
Michelangelo’s Pieta conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified. Daniel Ibañez/CNA

Michelangelo Buonarroti carved the Pieta from a single slab of Carrara marble when he was 24-years old. The sculpture was unveiled in St. Peter’s Basilica for the Jubilee of 1500.

The moving sculpture conveys the faith and emotion of the Blessed Virgin Mary as she cradles in her arms the dead body of her only son after witnessing him crucified.

The sculpture sits above a side-altar near the front entrance of St. Peter’s Basilica, where Mass was sometimes offered before recent restrictions. Visitors to the basilica can only see the Pieta behind bulletproof glass after a man attacked the sculpture with a hammer in May 1972.

The Pieta was the only work of art that Michelangelo ever signed.

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