Vatican

Vatican City, Oct 26, 2017 / 12:53 pm (CNA/EWTN News).- Pope Francis conversed with astronauts orbiting earth on the International Space Station on Thursday, discussing questions as diverse as man’s place in the universe, the fragility of life and the planet, and international cooperation.

“Astronomy makes us contemplate the horizons of the universe and raises questions in us: Where did we come from? Where are we going?” the Pope said.

His first question to the astronauts: “What is your thought on man’s place in the universe?”

Italian astronaut Paolo Nespoli responded, saying that man’s place in the universe is a “complex question,” especially for him since his specialties are in the technical realm.

However, he noted that being in space has helped him to realize that the more humanity learns, the more clearly we can see how much we still do not know.

“I would love for people like you, not just engineers, not just physicists, but people like you (Holy Father) – theologians, philosophers, poets, writers… – to come here in space, and this will surely happen in the future, I would love (for them) to come here to explore what it means to have a human being in space,” he said.

Pope Francis contacted NASA’s International Space Station via a satellite call from the Vatican on Oct. 26. Aboard the space station are a total of six astronauts, including three Americans, two Russians and one Italian, who have been orbiting the earth, about 220 miles away.

Three will return to earth in December of this year, and the other three in February 2018.

Josef Aschbacher, director of the earth observation programs (ESA), told journalists after the call that for the astronauts, speaking with the Pope was an “experience of a lifetime.”

He said the Pope’s questions were all “very interesting” because they have to do with “our life, as humanity.”

For example, Francis asked the team what motivated them to become astronauts, and what they enjoy about being in space.

“Traveling in space modifies so many things that are taken for granted in everyday life, for example the idea of ??up and down,” he said, also asking if there is anything about living in the space station that has surprised them.

American Randolph Bresnik said that what gives him the greatest joy in space is being able “to look outside and see God’s creation maybe a little bit from his perspective. People cannot come up here and see the indescribable beauty of our earth and not be touched in their souls.”

There’s an incredible peace and serenity to our planet when you see it in orbit, he said, and there are “no borders, no conflict, it’s just peaceful.”

He also said that from space you can see “the thinness of the atmosphere, and it makes you realize how fragile our existence here is.”

Pope Francis responded by saying that he loved that answer, how Bresnik had pointed out the earth’s fragility, how it’s a “passing moment,” the earth turning at a rate of 10 km per second.

The astronauts also spoke with Francis about their own diversity and how it is an asset in their work on the International Space Station.

“As we work here on the space station and in our international partnership, we hope that the example of what we can achieve together is an example for all the world and humanity,” Bresnik said.

Francis said that although our society is very individualistic, cooperation is essential in life, asking about examples of collaboration in their work.

The International Space Station is a great example of international collaboration, American Joseph Acaba replied, because the crew members are from different countries and cultures, and they work together, also communicating on a daily basis with control centers in the U.S., Russia, Japan, Canada, and nine different countries in Europe.

“It’s our diversity that makes us stronger,” Acaba said. “And I think we need to embrace who we are as individuals and respect those around us. And by working together we can do things much better than we can as individuals.”

The other astronauts on the call were American Mark T. Vande Hei, and Russians Aleksandr Misurkin and Sergey Ryazanskiy.

The encounter between the astronauts on the space station and the Pope was a fascinating intersection between religion and science, said Aschbacher, noting that science can assist in the search for God through its curiosity to better understand our world.

Science asks some of the same questions as religion, such as, “where we are from and where we are going and where do we live,” he said.

Roberto Battiston, president of the Italian Space Agency (ASI), added that “there is no doubt that science is a way of searching for the truth” and though religion and science may have different ways of searching, they still have the same goal.

Pope Francis’ call marks the second time a pope has contacted astronauts in space. In 2011, Pope Benedict XVI became the first when he called the International Space Station via satellite link, speaking with 12 astronauts for about 20 minutes.

In the call, Benedict asked the astronauts questions about what it is like to view the earth from outer space and if it gave them a new perspective on the importance of promoting peace and caring for our planet’s resources.

[…]

Vatican City, Oct 26, 2017 / 03:01 am (CNA/EWTN News).- In her own words, Bridget Brown is “a self-advocate, an inclusion advocate, an actress… and a young woman with Down syndrome.” She also loves her life and wants others to know that each and every person is precious.

“The world needs to know that I don’t ‘suffer’ from Down syndrome,” she wrote in a letter to Pope Francis. “I have a full and wonderful life, and I am filled with joy to be alive.”

“I absolutely love my life.”

Brown met Pope Francis Oct. 21 as part of a Vatican-sponsored conference dedicated to catechesis for those with intellectual disabilities.

Titled “Catechesis and Persons with Disabilities: A Necessary Engagement in the Daily Pastoral Life of the Church,” the conference took place Oct. 20-22 at the Pontifical Urbanianum University in Rome.

Brown told CNA Oct. 20 that she was very excited to meet the Pope with her parents. She was also looking forward to speaking with him about “the right to life of babies with Down syndrome.”

Tragically, children with Down syndrome are often aborted, she said, pointing to the example of an August article from CBS News declaring that Iceland is “eradicating Down syndrome” through abortion.

“People with Down syndrome are so precious,” she said. “I love babies, and I especially love babies with Down syndrome.”

In a letter to Pope Francis, she said that her heart breaks when she thinks that she might be part of the last generation of people with Down syndrome and that “the world will never again benefit from our gifts.”

Brown noted that people with disabilities are often the first to be killed during genocides, and observed that Adolph Hitler’s mass killings began with the murder of disabled children.

“It seems to me we are doing the same thing to children with disabilities today in our country,” she said.

Even though Brown finds this to be discouraging at times, she said she still has hope, praying for those who think people with disabilities don’t have the right to live.  

“I believe in the sacred dignity of all people. And most people I know with disabilities can lead full and productive lives, just like me,” she said.

The right to life of people with disabilities should never be disregarded, Brown told CNA. “God said…that we have a purpose, no matter who we are. It’s not right to exclude or kill anybody, because we are part of the human race.”

Quoting Meister Eckhart, a medieval Dominican theologian, she said, “If the only prayer I say in my life is ‘thank you,’ that would be enough.”

Brown, who spoke at the conference Oct. 21, noted that she attended to help promote inclusion in parishes, hoping they will open their doors “to allow people with disabilities to be included in the Church.”

She hopes people walk away from the conference with a deeper realization that “people with disabilities have a purpose.”

More than that, she wants to move the conversation about people with disabilities beyond inclusion.

It’s about more than just the right to survive, she said, but about being able “to dwell in the possibilities, to have fun and full, exciting lives,” just like anyone else.

…..

Related news:

#Iceland is ‘eradicating’ Down syndrome…by aborting everyone who has it https://t.co/tGRZFpj8rN

— Catholic News Agency (@cnalive) August 17, 2017

[…]

Vatican City, Oct 25, 2017 / 05:40 am (CNA/EWTN News).- Pope Francis on Wednesday spoke about the hope Christians have at the end of life, which is found in God’s promise to be with us at the moment of our death, and to give us eternal life with … […]

Vatican City, Oct 25, 2017 / 12:08 am (CNA/EWTN News).- For one member of “the Pope’s Choir,” the Catholic Church, while appreciating sacred music, has in some respects lost the art of singing it in her parishes, prompting the need for a revival of traditional style across the world.

“Coming from the UK, I’m used to a choral tradition, it’s a great Anglican tradition,” Mark Spyropoulos told CNA, noting that much of the sacred music they sing is written for great Catholic choirs, but “generally, across Europe at least, we’ve lost touch with that.”

“The cathedrals are mostly silent,” he said, and while the Vatican is an exception, “from a personal stance, as a choral singer, I would like to see that tradition revived” in Catholic choirs “because it’s absolutely wonderful.”

Originally from London, Spyropoulos has been a member of the Sistine Chapel Choir for two and a half years, and is the first person from Britain to join the choir, which just returned from a tour in the United States, the first in 30 years, which included stops in Washington D.C., New York and Detroit.

“I would like to see our touring also promote something of a revival of great Catholic choirs,” he said.
 
He was present for the Oct. 24 presentation of the choir’s annual CD, which this year is titled “Veni Domine: Advent and Christmas at the Sistine Chapel.”

When it comes to sacred music, Spyropoulos said he believes it has “a huge place” in the Church, and has much to offer, even outside of an ecclesial context.

Sacred music, he said, “puts young singers in touch with their history, their culture, and it’s an inspirational thing to do, not just to be part of it, but to hear it.”

Whenever the choir sings, “our intention is that it should inspire people, that people would listen to it and be transported away from the mundane and the banal, and that their minds would be directed to something that is spiritual, beautiful and transcendent,” he said.

The singer shared that in his experience, there isn’t just a need for sacred music, but also a desire for it, because “when we sing, people seem to be amazed.”

Simply being “the Pope’s choir” is enough to attract people, Spyropoulos said, while adding that there also seems to be “more than that” fueling peoples’ interest.

“This music has such a deep power to it,” he said. Using the image of a fresco as an example, he said that when people look at one, “it’s incredibly beautiful, but when you sing this music it’s not like looking at a fresco, it’s like being in a fresco, it’s like being painted in it – you have to create it, and people listen to that.”

Recalling the choir’s recent tour of the United States, the singer said each of their venues were packed, and that highlights from the trip for him were singing in St. Patrick’s Cathedral in New York, where they got “a standing ovation from thousands of people, that was wonderful.”

He also reflected on singing Evensong in the Anglican parish of St. Thomas on First Avenue, which he said was “a very special moment” given his own background and formation in the Anglican choral tradition.

The people they met in each city, he said, “were so kind and so generous to us all the way through… we were really welcomed so warmly. We had a great time.”

While no official plans have been made, Spyropoulos said there are rumors the choir will return to the U.S., perhaps traveling along the West Coast.

[…]

Vatican City, Oct 25, 2017 / 12:08 am (CNA/EWTN News).- For one member of “the Pope’s Choir,” the Catholic Church, while appreciating sacred music, has in some respects lost the art of singing it in her parishes, prompting the need for a revival of traditional style across the world.

“Coming from the UK, I’m used to a choral tradition, it’s a great Anglican tradition,” Mark Spyropoulos told CNA, noting that much of the sacred music they sing is written for great Catholic choirs, but “generally, across Europe at least, we’ve lost touch with that.”

“The cathedrals are mostly silent,” he said, and while the Vatican is an exception, “from a personal stance, as a choral singer, I would like to see that tradition revived” in Catholic choirs “because it’s absolutely wonderful.”

Originally from London, Spyropoulos has been a member of the Sistine Chapel Choir for two and a half years, and is the first person from Britain to join the choir, which just returned from a tour in the United States, the first in 30 years, which included stops in Washington D.C., New York and Detroit.

“I would like to see our touring also promote something of a revival of great Catholic choirs,” he said.
 
He was present for the Oct. 24 presentation of the choir’s annual CD, which this year is titled “Veni Domine: Advent and Christmas at the Sistine Chapel.”

When it comes to sacred music, Spyropoulos said he believes it has “a huge place” in the Church, and has much to offer, even outside of an ecclesial context.

Sacred music, he said, “puts young singers in touch with their history, their culture, and it’s an inspirational thing to do, not just to be part of it, but to hear it.”

Whenever the choir sings, “our intention is that it should inspire people, that people would listen to it and be transported away from the mundane and the banal, and that their minds would be directed to something that is spiritual, beautiful and transcendent,” he said.

The singer shared that in his experience, there isn’t just a need for sacred music, but also a desire for it, because “when we sing, people seem to be amazed.”

Simply being “the Pope’s choir” is enough to attract people, Spyropoulos said, while adding that there also seems to be “more than that” fueling peoples’ interest.

“This music has such a deep power to it,” he said. Using the image of a fresco as an example, he said that when people look at one, “it’s incredibly beautiful, but when you sing this music it’s not like looking at a fresco, it’s like being in a fresco, it’s like being painted in it – you have to create it, and people listen to that.”

Recalling the choir’s recent tour of the United States, the singer said each of their venues were packed, and that highlights from the trip for him were singing in St. Patrick’s Cathedral in New York, where they got “a standing ovation from thousands of people, that was wonderful.”

He also reflected on singing Evensong in the Anglican parish of St. Thomas on First Avenue, which he said was “a very special moment” given his own background and formation in the Anglican choral tradition.

The people they met in each city, he said, “were so kind and so generous to us all the way through… we were really welcomed so warmly. We had a great time.”

While no official plans have been made, Spyropoulos said there are rumors the choir will return to the U.S., perhaps traveling along the West Coast.

[…]

Vatican City, Oct 24, 2017 / 04:45 pm (CNA/EWTN News).- To understand the recent publication of a letter sent by Pope Francis to Cardinal Robert Sarah, it is helpful to understand the wider discussion into which it fits.

The letter was sent as a reaction to a commentary the cardinal wrote on the Pope’s motu proprio “Magnum Principium.”

With that motu proprio, issued this September, Pope Francis changed and amended those parts of the Code of Canon Law governing the translations of liturgical books into “vernacular languages.”

The document gave more flexibility to bishops’ conferences to propose and draft their translations, leaving to the Apostolic See to “confirm” their drafts.

At the time the motu proprio was issued, Archbishop Arthur Roche, Secretary of the Congregation for the Divine Worship and the Discipline of Sacraments, released an official commentary, explaining that “the confirmatio of the Apostolic See is not to be considered as an alternative intervention in the process of translation, but rather as an authoritative act by which the competent Dicastery ratifies the approval of the bishops.”

Roche’s commentary went on to say that, “obviously, this presupposes a positive evaluation of the fidelity and congruence of the texts produced, with respect to the typical editions on which the unity of the Rite is founded, and, above all, taking account of the texts of greatest importance, in particular the sacramental formulae, the Eucharistic Prayers, the prayers of Ordination, the Order of Mass and so on.”

If things were so clear, why did Cardinal Sarah draft an additional commentary, and why Pope Francis react so strongly to it?

These questions have no definitive answers, but there are some clues as to why these things happened.

Pope Francis’ push for decentralization

First of all, Pope Francis wanted to reiterate that his reform is intended to fit the de-centralizating goals of his papacy.

In Evangelii Gaudium, widely considered the playbook for Pope Francis’ pontificate, Francis wrote that “it is not advisable for the Pope to take the place of local bishops in the discernment of every issue which arises in their territory. In this sense, I am conscious of the need to promote a sound ‘decentralization’.”

With the letter to Cardinal Sarah, the Pope continued to pursue “a sound decentralization,” in this case, with regard to the liturgy.

The Pope’s letter stressed that “it should be pointed out that the judgment of fidelity to Latin and any necessary corrections had been the task of the dicastery, but now the norm grants to episcopal conferences the right to judge the quality and consistency between one term and another in the translation from the original, even if this is in dialogue with the Holy See”.

So, the Pope said, “confirmatio no longer supposes a detailed word-by-word examination, except in the obvious cases that can be brought to the bishops for their further reflection.”

Pope Francis and Liturgiam Authenticam

Pope Francis’ letter can also be understood best in light of his amendments to Liturgiam Authenticam.

Issued in 2001, Liturgiam Authenticam was the fifth of a series of instructions delivered by the Congregation for the Divine Worship, intended to implement the Second Vatican Council’s Constitution on the Sacred Liturgy.

A note delivered by the Holy See Press Office in 2001, when the instruction was issued, helps to fully understand the instruction.

Liturgiam Authenticam was presented as “a new formulation of principles of translation with the benefit of more than thirty years’ experience in the use of the vernacular in liturgical celebrations.”

Among these guidelines, there was the need “not to extend or restrict the meaning of the original terms” and to avoid “terms that recall publicity slogans or those that have political, ideological or similar overtones” since “the handbook on styles” cannot be uncritically used as “the Church has distinctive things to say and a style of expression that is appropriate to them.”

The presentation of Liturgiam Authenticam also stressed that “the preparation of translations is a serious charge incumbent in the first place upon the bishops themselves,” and so “at least some of the bishops should be closely involved” in the process of translations. Procedures for the approval of texts from bishops and the presentation of those texts for review and confirmation from the Congregation of the Divine Worship were clearly established, ensuring that translations done by bishops’ conferences would be vetted for fidelity at the Holy See.

In his letter to Cardinal Sarah, the Pope clarified that “recognition” and “confirmation” are not interchangeable, and stressed that “Magnum Principium no longer argues that translations must conform in all points to the norms of Liturgiam authenticam, as was previously the case.”

The Pope specifically mentioned n. 76 and n. 80 of Liturgiam Authenticam, which said that “the Congregation for Divine Worship and the Discipline of the Sacraments will be involved more directly in the preparation of the translations into these major languages,” and that “the required recognitio of the Apostolic See is intended to ensure that the translations themselves, as well as any variations introduced into them, will not harm the unity of God’s people, but will serve it instead.”

Francis’ decision can be understood as a shift in focus to bishops’ conferences, which are entrusted with making faithful translations on their own, although a confirmation from the Holy See is still required.

The Pope wrote to Cardinal Sarah that “confirmatio is not merely a formality, but necessary for publication of the translated liturgical book: it is granted after the version has been submitted to the Apostolic See for ratification of the bishops’ approval, in a spirit of dialogue and aid to reflection, if and when necessary, respecting their rights and duties, considering the legality of the process followed and its various aspects.”

Was the Pope attacking Cardinal Sarah?
 
Can these clarifications be read as an attack on Cardinal Robert Sarah?

It is no mystery that Cardinal Sarah’s approach to liturgy is not that of Pope Francis. Cardinal Sarah often spoke about a “reform of the reforms,” as did Benedict XVI, that would reform some liturgical practices and norms developed after the Second Vatican Council, without changing the Council’s teaching on liturgy.

On July 5, 2016, Cardinal Sarah delivered a speech at the Sacra Liturgia conference in London urging priests to start celebrating Masses ad orientem, often seen as a hallmark of the “reform of the reform” movement, and his words were interpreted as new liturgical directives.

A statement from the Holy See Press Office some days later explained that the Pope and Cardinal Sarah had discussed the issue, and that Sarah’s remarks did not constitute new liturgical directives.  

Despite this difference of views, Pope Francis’ letter to Sarah seems mostly a reaction to the fact that Cardinal Sarah’s “commentary” was leaked to several magazines. The letter ends with the Pope’s request to “provide this response to the same sites” where the Cardinal Sarah’s commentary was published, “and also to send it to all episcopal conferences, and the members and consultors of your dicastery.”

The Pope recognized that the commentary’s leak was “erroneously attributed” to Cardinal Sarah; it seems clear that Pope Francis does not consider Cardinal Sarah to be the “leaker” of the letter.

Cardinal Sarah’s commentary was first published in French, in the magazine L’Homme Nouveau, and then translated into several languages. A source within the Congregation for the Divine Worship shared with CNA that the commentary was initially sent only to the Pope, and shared by Sarah only with some high-ranking officials.

If this account is true, why was the letter leaked, and why was the Pope’s reaction so strong?

A debate that started long ago

Once more, it is important to go back to the beginning of the story, in January, when veteran Vatican watcher Sandro Magister reported that “directed by the secretary of the Congregation (for Divine Worship), the English archbishop Arthur Roche, a commission has been set up within the dicastery at the behest of Francis” with the goal of demolishing “one of the walls of resistance against the excesses of the post-conciliar liturgists,” namely “the instruction Liturgiam Authenticam issued in 2001, which sets the criteria for the translation of liturgical texts from Latin into the modern languages.”  

According to Magister, the agenda of the commission was established by an article drafted by the theologian Andrea Grillo, which apparently had the support of Pope Francis.

Grillo’s article criticized the way the instruction addressed the issue of the “too liberal translations,” and suggested that it contained the groundwork for Benedict XVI’s motu proprio “Summorum Pontificum,” which liberalized the use of the so-called “Extraordinary Form.”

According to Grillo, the fact that the phrase Summorum Pontificum is already present within Liturgiam Authenticam, together with the “new season of renewal” called for by the instruction suggests that it was the framework for the “reform of the reform” Cardinal Sarah advocated.

Grillo, however, said that “it is evident that a new season of renewal will be possible only overcoming the contradictions and nostalgic naivete of this act of interruption of the pastoral turn began with the Second Vatican Council.”

Apparently, the Pope felt he had to make sure that his understanding of liturgical reform is not sidelined by any other possible interpretations.

Though reaffirming the need for a confirmation of the Apostolic See, the Pope intended to show that he really aims for a decentralization, giving more responsibility to local bishops in the area liturgy. More, the Pope intended to show that there is no way to reverse the liturgical reforms he understands to be required by the Second Vatican Council.

In the end, the Pope himself, speaking Aug. 24 to the participants of the 68th Italian Liturgical Week, stated, “After this magisterium, and after this long journey, we can assert with certainty and magisterial authority that the liturgical reform is irreversible.”

The concern that some of those advocating a “reform of the reform” might really be reversing Vatican II’s liturgical reforms is ultimately – at least in part – the reason why Pope Francis reacted with an unprecedented public letter to Cardinal Sarah’s commentary.

[…]

Vatican City, Oct 24, 2017 / 11:16 am (CNA/EWTN News).- For the third year in a row, the Sistine Chapel Choir has released a new CD, which this year is dedicated to Advent and Christmas, and features unique scores based on historic manuscripts from the Vatican Library.  

Created in partnership with the classical music label Deutsche Grammophon, the album will be released Oct. 27 in Italy and is titled “Veni Domine: Advent and Christmas at the Sistine Chapel.” It will be released to the rest of the world a week later, on Nov. 3.

Music featured in the album includes a repertoire of scores from several Renaissance manuscripts from the Sistine Chapel reserve of the Vatican library.

A sample of singing we’ll hear on the new Sistine Chapel Choir CD #music #Vatican pic.twitter.com/E0vYEkqZ6X

— Elise Harris (@eharris_it) October 24, 2017

It also features Perotin’s “Beata Viscera Mariae Virginis.” Perotin, also known as “Perotin the Great,” was a European composer, likely French, who lived from around 1160-1230, and became one of the most well-known composers of his time.

The 16-track album also features the voice of Cecilia Bartoli, an Italian mezzo-soprano opera singer and recitalist, who is the first woman to have ever recorded with the choir.

Like previous albums, the CD includes several scores written by Giovanni Pierluigi da Palestrina, an Italian Renaissance sacred music composer who lived from 1525-1594, and is perhaps one of the most well-known composers of sacred polyphony.

The CD was presented Oct. 24 inside the Vatican Press Office by Archbishop Georg Ganswein, prefect of the Pontifical Household; Mirko Gratton, director of the Classical and Jazz Division of Universal Music Italia; and Msgr. Massimo Palombella, director of the Sistine Chapel Choir.

In his comments during the presentation, Ganswein said that when the choir first decided to record CDs three years ago, he never imagined they would enjoy so much success.

The selection of songs included on the new disc, he said, “inspire an intimate joy and immerse us in a horizon of rare beauty that expresses, as St. Alphonsus Maria de Liguori says, the joy of creation and of man for the birth of the Savior.”

What is especially unique about the Christmas album, he said, is that it is based on “translating into music the manuscripts present in the Sistine Chapel reserve of the Vatican Library.”

Ganswein noted that the Sistine Chapel reserve is “one of the largest archives of Renaissance music in the world,” where manuscripts from the greatest composers of this era can be found.

However, apart from shedding light on the historical significance of the music featured, Ganswein said the deeper reason for the CD is the “ecclesial service” the choir, like the rest of the Church, is called to undertake.

“A record production of this type is, in fact, an announcement of the Good News which acts through art, specifically music,” he said, adding that it hopes to inspire “a growth in the spiritual path and even a first questioning about He who is the origin of every beauty.”

It is also through music that the Church is able to go to the existential “peripheries” of the world and “offer to all a concrete possibility of encounter with a God who loves, forgives and wants for each one of us a life in abundance,” he said.

In comments to CNA, Palombella said this year’s CD is important specifically because it uses the ancient manuscripts from the archive of the Vatican Library.

At times, study and research are seen as being opposed to music, he said. However, research actually helps improve the musical product, so that it is “accessible to everyone.”

Without study or research, a person can do pastoral work for the Church, but it will only be “for the moment” and cannot go deeper, he said.

Noting how retired Pope Benedict XVI has a strong appreciation for music, Palombella said Pope Francis “ is absolutely in continuity” on this point, and has both supported and encouraged their work because “it is directed toward evangelization.”

Music, he said, echoing Archbishop Ganswein, also has the ability to reach people on the peripheries, “because many people would never have access to evangelization if it weren’t through music and art.”

As in previous years, all funds collected from sales of the CD will go directly to the papal charities.

[…]

Vatican City, Oct 24, 2017 / 06:06 am (CNA/EWTN News).- An initiative from the Vatican this month is inviting people to virtually connect with Pope Francis and learn more about Church missions and how to support them.  

MissioBot is an automatic chat system on Facebook Messenger, which helps guide users through a chat experience with words from Pope Francis. Through any computer or smart phone with the Facebook Messenger app, users can learn about mission projects around the world.

The participant then has the opportunity to pray for particular intentions or donate to specific causes, such as orphans or victims of famine. People will also be able to click on “Papal Wisdom” to receive snippets of advice from Pope Francis.

MissioBot is available for the entire month of October in commemoration of World Mission Sunday, Oct. 22.

In a press conference on Saturday, Cardinal Fernando Filoni, head of the Congregation for the Evangelization of Peoples, emphasized that mission work is an essential aspect of the Christian faith.

“In the Christian faith, there is a pulse that gives life to the body. If the pulse stops, we enter into crisis, shock,” said Cardinal Filoni, adding that the pulse of faith is mission work.

Every Christian is called to be a missionary in some way, he said, pointing to Saint Francis Xavier, who spread the Gospel by traveling to Japan, and Saint Therese of the Child Jesus, who supported missionaries through prayer.

World Mission Sunday was begun in 1926 by the Congregation for Divine Worship and is now promoted by the Congregation for the Evangelization of Peoples and the Pontifical Mission Societies.

The Pope’s message for the 91st World Mission Day was published by the Vatican earlier this year. Pope Francis said that World Mission Day “is a good opportunity for enabling the missionary heart of Christian communities to join in prayer, testimony of life and communion of goods, in responding to the vast and pressing needs of evangelization.” 

[…]

Vatican City, Oct 23, 2017 / 10:20 am (CNA/EWTN News).- Pope Francis preached Monday about the idolatry of money, which causes us to ignore those in need, allowing others to go hungry and die while we turn money and worldly possessions into false gods.

Today there are people who are greedy for more money and worldly goods, people who have “so much,” but walk by “hungry children who have no medicine, who have no education, who are abandoned,” he said Oct. 23 during his homily at Mass at the chapel of the Vatican’s Casa Santa Marta.

This is “an idolatry that kills,” that makes “human sacrifices” to the god of money, the Pope said.

“This idolatry causes so many people to starve,” he stated, pointing to the example of the hundreds of thousands of Rohingya people who have been displaced from their home in Burma, also known as Myanmar, due to ethno-religious persecution.

There are 800,000 Rohingya people in refugee camps, the Pope said. And of these, 200,000 are children. They are “malnourished, without medicine,” he said.

“Even today this happens,” he emphasized, noting how our prayers against idolatry “must be strong.”

We should pray: “Lord, please, touch the hearts of these people who worship… the god of money. Touch also my heart so I do not fall into” the same thing, that I can see everything clearly, he said.

The Rohingya are a predominantly Muslim ethnic group who reside in the Rakhine state of majority-Buddhist Burma. They have been denied citizenship for nearly 40 years, and their persecution by the government has intensified in recent years.

Pope Francis has spoken out on behalf of the minority many times in recent years. In November he will visit Burma, as well as Bangladesh, where he will undoubtedly speak out for the rights of religious and ethnic minorities.

In his homily, he reflected on the words of Christ in the day’s Gospel from St. Luke: “Take care to guard against all greed, for though one may be rich, one’s life does not consist of possessions.”

God who ultimately puts a limit on our attachment to money, Pope Francis said, since at the end of life it becomes worthless.

Many men worship money and make money their god, he continued, but their life has no meaning. “Thus will it be for the one who stores up treasure for himself but is not rich in what matters to God,” Francis said, quoting from the Gospel of Luke.

God underlines this with “gentleness” in the end, he said. To make ourselves rich in what matters to God, “that is the only way. Wealth, [yes], but in God.”

[…]

Vatican City, Oct 23, 2017 / 09:54 am (CNA/EWTN News).- In a video message to participants in a youth forum in Canada, Pope Francis told young people to meet Jesus in prayer, letting Christ direct their lives – thus leading them on an incredible … […]